sopranos
Coraline, Royal Opera, Barbican review - spooky story, underwhelming scoreThursday, 05 April 2018![]() With the eyes of musical fashion turned relentlessly on the calculating stage works of chilly alchemist George Benjamin, hopes ran high for a brighter spark in a new opera by his contemporary Mark-Anthony Turnage. Would Coraline, a music-drama for... Read more... |
Soprano Ruby Hughes on Handel's last prima donnaSaturday, 31 March 2018![]() Who was Giulia Frasi? This is so often the response I get when I mention the name of this Italian singer who came to London and became Handel’s last prima donna during the final decade of his life and, consequently, the supreme soprano of English... Read more... |
Classical CDs Weekly: Lūcija Garūta, Dag Wirén, Ruby HughesSaturday, 31 March 2018![]() Lūcija Garūta: Music for Piano Reinis Zariņš (piano), Liepāja Symphony Orchestra/Atvars Lakstīgala (LMIC/SKANI)The Latvian composer Lūcija Garūta (1902-1977) reached maturity in the early days of Latvian independence, a supremely talented... Read more... |
Tosca, Welsh National Opera review - ticking the traditionalist boxesSaturday, 10 February 2018![]() Opera-lovers: if you’ve finally had enough of the wheelchairs and syringes, the fifties skirts and heels, the mobile phones and the white box sets, and the rest of the symbolic paraphernalia of the right-on modern opera production, pop along to the... Read more... |
Louise Alder, James Baillieu, Wigmore Hall review - sensual heat thaws a winter's eveningMonday, 22 January 2018![]() Rapture, ecstasy, ardour, and a few cheeky fumbles in the bushes – Louise Alder and James Baillieu’s Wigmore recital promised “Chants d’amour” and delivered amply, giving us love in all its bewildering, technicolour variety. From the heady eroticism... Read more... |
Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in gloryMonday, 08 January 2018![]() Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Another was Sakari Oramo's final Sibelius-plus concert with the BBC Symphony Orchestra - a predictable triumph given that the... Read more... |
Classical CDs Weekly Special: Callas LiveSaturday, 23 December 2017Remastered they may be, but the 20 live operas recorded here between 1949 and 1964 vary soundwise from clean at best to atrocious, with all the caprices of stage noise and audience participation seemingly acceptable at the time (so often there's the... Read more... |
Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbican review - Finnish psychedeliaMonday, 11 December 2017![]() After Sakari Oramo's dazzling Sibelius rattlebag with the BBC Symphony Orchestra on the centenary day of Finnish independence, things weren't looking so good for Esa-Pekka Salonen and the Philharmonia at half time last Thursday (★★★). Then along... Read more... |
Crowe, The English Concert, Bicket, Milton Court review - Mozartian prima-donna perfectionThursday, 26 October 2017![]() Singing students from the Guildhall School should have been issued with a three-line whip to fill the inexplicably half-empty Milton Court concert hall for last night's charmer. After all, every musician, and not just sopranos, should know that this... Read more... |
Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasiesThursday, 31 August 2017No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Even Richard Strauss's chaste nymph Daphne, achieving longed-for metamorphosis as a tree, finds darkness among the roots; and though Renée "The... Read more... |
theartsdesk Q&A: Soprano Aida GarifullinaSaturday, 27 May 2017![]() There are certain roles where you’re lucky to catch one perfect incarnation in a lifetime. I thought I'd never see a soprano as Natasha in Prokofiev's War and Peace equal to Yelena Prokina, Valery Gergiev’s choice for Graham Vick’s 1991 production.... Read more... |
Florence Foster JenkinsFriday, 06 May 2016![]() The Florence Foster Jenkins industry reaches newly giddy heights with Stephen Frears's film of the same name, which cleverly casts a great talent - who else but Meryl Streep? - as the cheerfully self-deluded American soprano. The subject already of... Read more... |
