fri 19/04/2024

Tchaikovsky

Classical CDs Weekly: Holst, Nielsen, Piatti, Tchaikovsky

 Holst: The Planets; Nielsen: Helios Overture Mythos (Bjarke Mogensen and Rasmus Schjaerff Kjøller, accordions) (Mythos)Pairing Nielsen’s Helios Overture with Holst’s The Planets makes total sense, and one’s surprised that it’s not been done...

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Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

Liberated from Pushkin’s salons, ballrooms and bedrooms, Barrie Kosky’s Eugene Onegin bursts out into nature. Tatyana and Olga lounge in the long grass stealing heavy fingerfuls of jam straight from the jar; party-guests run through the trees with...

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Classical CDs Weekly: Christmas CDs 1

 Bach: Christmas Oratorio Thomanerchor Leipzig, Gewandhausorchester Leipzig/Gotthold Schwarz (Accentus)Another year, another new Bach Christmas Oratorio. This one is happily among the best, its plus points including a slimmed down Leipzig...

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Classical CDs Weekly: Josquin, Tchaikovsky, Janet Sung

 Josquin: Missa Mater Patris, Bauldeweyn: Missa Da pacem The Tallis Scholars/Peter Philips (Gimmell)Josquin's Missa Mater Patris is a late work, the composer's florid style pared down and clarified to the extent that some commentators suggested...

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Wallfisch, Northern Chamber Orchestra, Stoller Hall, Manchester review - Weinberg UK premiere

Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello...

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Classical CDs Weekly: Axel Borup-Jørgensen, Purcell, Ostrobothnian Chamber Orchestra

 Floating Islands: Guitar music by Axel Borup-Jørgensen Frederik Munk Larsen (guitar) (OUR Recordings)Carl Nielsen cast a long shadow over the generation of Danish composers who succeeded him, and there's mention here of post-war musicians...

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Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passions

Semyon Bychkov was a surprising choice to take over the Czech Philharmonic last year, a conductor with few obvious connections to Czech music. But on the strength of this visit to the Proms, they make a good team. Bychkov communicates fluently with...

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Edinburgh International Festival 2019: Eugene Onegin, Komische Oper review - no-holds-barred romanticism

Returning to Edinburgh International Festival, Berlin's Komische Oper brought Barrie Kosky’s sumptuous production of Eugene Onegin to the Edinburgh Festival Theatre. It’s a production that isn’t trying to do anything overly clever or convey a...

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theartsdesk at the Pärnu Music Festival 2019 - super-orchestra, top clarinettists, transcendent strings

Little has changed about Pärnu, with its concentric rings of eight-mile sandy beach and dunes, wooded gardens and wooden old town, in the five years I've been going there. It came as a bit of a shock to find that voters in the region favoured the...

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Prom 34: Argerich, West-Eastern Divan Orchestra, Barenboim review - erratic star, sleek ensemble

Perhaps those who came for the Argerich touch and left at the interval of this instant-sellout Prom were satisfied. After all, the legendary Argentinian pianist gave us some vintage minutes of her silk-spinning mercurialism. Yet it was in the midst...

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Prom 25: Gabetta, BBCSO, Stasevska review – stunning Weinberg debut

This concert from the BBC Symphony Orchestra marked the first performance of composer Mieczysław Weinberg at the Proms, an important milestone in the recent surge of interest of his music. When Weinberg, a Russian composer of Jewish descent and...

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Prom 23: Floristán, BBC Philharmonic, Gernon review - concerto lacks heft

Ben Gernon is only 30 (and looks about ten years younger) but has been Principal Guest Conductor of the BBC Philharmonic since 2017. He really impressed in last night’s Prom but, after an exciting overture, things fell away a bit with an under-...

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