wed 11/12/2019

theatre design

Peter Pan, Troubadour White City review - off to a flying start

London’s Troubadour White City theatre has got off to a, literally, flying start. Sally Cookson‘s National Theatre-Bristol Old Vic adaptation of JM Barrie’s classic makes an exuberant comeback at this new venue, whose technical possibilities allow...

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The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollars

Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a bank but of modern America. Virgil asked his Muse to sing of ‘arms and the man’, yet here the theme becomes that of ‘...

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salt., Royal Court review - revisiting the Atlantic slave trade

Most of the facts about the Atlantic slave trade are well known; what is less easily understood is how history can make a person feel today. A question which invites an experimental approach in which you test out emotions on your own body. In 2016,...

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10 Questions for Candice Edmunds of Theatre Company Vox Motus

“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight...

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Blue, Chapter Arts Centre review - heartbreak in the family home

What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved...

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Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court case

Forget the cloak in the puddle. Never mind potatoes and tobacco. The children's book cliché of Sir Walter Raleigh (or Ralegh as he seems to have preferred in an age of changeable spelling) represents little of the real man and is at best misleading...

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Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows

Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director Michelle Terry’s first production in the Sam Wanamaker theatre. Even in a play that walks the tightrope between its...

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Company, Gielgud Theatre review - here's to a sensational musical rebirth

The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,...

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his...

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The Outsider, Print Room at the Coronet review - power in restraint

As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman – would cause more than a century of political resentment in the Arab world, The Outsider seems...

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Pericles, National Theatre review - a fizzingly energetic production

A break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconventional even by Shakespeare’s standards, but they all play a key part in this joyful act of subversion....

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Edinburgh Festival 2018 reviews: Coriolanus Vanishes / Check Up: Our NHS at 70 / A Sockful of Custard

 Coriolanus Vanishes ★★★★ Writer and director David Leddy was himself the original solo performer in his Coriolanus Vanishes when it premiered in Glasgow in 2017. But in this powerful, visually stunning outing as part of the Traverse’...

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