tragedy
Iliad: War Music, National Theatre WalesSaturday, 26 September 2015
Iliad is the third collaboration between National Theatre Wales and “the two Mikes”, directorial duo Pearson and Brookes. The pair have been responsible for two previous highlights of the still young company’s back catalogue, The Persians (2010) and... Read more... |
Bakkhai, Almeida TheatreFriday, 31 July 2015
This is the real Greek, bloody-fantastical thing. After the fascinating but flawed attempt to bring Aeschylus’s Oresteia into the 21st century, the Almeida has turned to a more tradition-conscious kind of experiment with Euripides’ last and greatest... Read more... |
Richard II, Shakespeare's GlobeFriday, 24 July 2015
The earthy contact with groundlings that Shakespeare’s Globe offers in its stagings makes a comical but telling context for Richard II, a play largely about political point-scoring between kings. The people whose interests lie so remote, in reality... Read more... |
Oresteia, Almeida TheatreSaturday, 06 June 2015
There are two fundamental ways to fillet the untranslatable poetry and ritual of Aeschylus, most remote of the three ancient Greek tragedians, for a contemporary audience. One is to find a poet of comparable word-magic and a composer to reflect the... Read more... |
King Lear, Northern Broadsides, TouringMonday, 25 May 2015
Jonathan Miller’s new King Lear is rustic to its core, spoken in broad Northern accents, and the whole production could be packed onto a travelling theatre’s wagon and taken around Britain pulled by a couple of shire horses.Yet rather than cost the... Read more... |
Death of a Salesman, Noël Coward TheatreThursday, 14 May 2015
We’ve not been short of memorable London productions of Arthur Miller’s best known works. Ivo van Hove’s triple Olivier award-winning A View from the Bridge, which transferred to the Wyndham’s Theatre from the Young Vic earlier this year, and the... Read more... |
Carmen, Welsh National OperaSaturday, 20 September 2014
Popularity is all very well, but it can be a poisoned chalice. Braving the umpteenth revival of Carmen at WNO (original directors Patrice Caurier and Moshe Leiser, revival director Caroline Chaney), I began to experience that sense of weariness that... Read more... |
Prom 59: Elektra, BBC Symphony Orchestra, BychkovMonday, 01 September 2014
How much familial dysfunction and lust - whether for sexual gratification or revenge - can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but no sooner had one become accustomed to... Read more... |
Prom 28: D'Orazio, Clayton, BBCSO, OramoFriday, 08 August 2014
All kinds of narratives were at play in this Prom from the BBC Symphony Orchestra and its Principal Conductor Sakari Oramo - and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear, dispassionately chronicling Stravinsky... Read more... |
Idomeneus, Gate TheatreWednesday, 25 June 2014
Let's say Greek tragedies exist in a multiverse where the same stories play out simultaneously in thousands of ways. And let's say we're given free rein to argue over those stories, debate their morals and characters and disagree fundamentally over... Read more... |
Power, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 16 January 2014
Baleful prophecies were rife before the concert. Was Vladimir Jurowski right to let Mahler’s only total tragedy among his symphonies, the Sixth, share the programme with anything else, least of all a new viola concerto in which the solo instrument’s... Read more... |
Peter Grimes, LPO, Jurowski, Royal Festival HallSunday, 29 September 2013
For Londoners unable to travel up to Aldeburgh – or, now, to Leeds for the revival of Phyllida Lloyd’s Opera North production – this was the only chance in Britten centenary year to be blitzed by his seminal masterpiece. After the phenomenal success... Read more... |
