violence
Riders of Justice review - revenge, coincidence and the meaning of lifeThursday, 22 July 2021![]() All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything? Danish director Anders Thomas Jensen’s brilliantly inventive, genre-busting black comedy starts with a bicycle... Read more... |
Adam Mars-Jones: Batlava Lake review - pride and prejudice in the Kosovo WarFriday, 16 July 2021![]() For a slim book of some 100 pages, Batlava Lake by Adam Mars-Jones is deceptively meandering. The novella is narrated by Barry Ashton, an engineer attached to the British Army troops stationed with the peacekeeping forces during the Kosovo War.... Read more... |
DVD/Blu-ray: County LinesSunday, 25 April 2021![]() The website of the National Crime Agency offers the following definition of County Lines: “[it is] where illegal drugs are transported from one area to another, often across police and local authority boundaries (although not exclusively), usually... Read more... |
Saint Maud review - creepy and strangely topical psychological horrorThursday, 08 October 2020![]() It only takes a few seconds of Saint Maud – dripping blood, a dead body contorted on a gurney, a young woman’s deranged face staring at an insect on the ceiling, an industrial clamour more likely to score the gates of hell than the pearly... Read more... |
Savage review - an immersive look at gang culture in Wellington, New ZealandThursday, 10 September 2020![]() Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for... Read more... |
Selva Almada: Dead Girls review – the stark proximity of women to violenceSunday, 06 September 2020![]() Selva Almada’s newly translated work has a stark title in both English and the original Spanish: Dead Girls, or Chicas Muertas. That apparent bluntness belies the hybrid sensitivity that makes up the pages. Its subject matter is the murders of three... Read more... |
Random Acts of Violence review - study in horror lacks scaresThursday, 20 August 2020![]() The debate about whether violent films cause violent acts has been around for decades. From Mary Whitehouse’s puritanical crusade against films such as The Exorcist, to recent movies like Joker, pundits, columnists and even psychiatrists... Read more... |
Infamous review - Bonnie and Clyde for the digital age fails to deliverThursday, 30 July 2020![]() Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok.... Read more... |
Good Manners review - compellingly eerieSaturday, 18 July 2020![]() Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian... Read more... |
The Old Guard review - serious sillinessThursday, 09 July 2020![]() It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare... Read more... |
The Last Full Measure review - exceptional performances elevate middling Vietnam war dramaThursday, 04 June 2020![]() It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest... Read more... |
Marieke Lucas Rijneveld: The Discomfort of Evening review - lovelessness, loneliness, bodies and their limitsSunday, 03 May 2020![]() “I was ten and stopped taking off my coat.” This bare beginning marks the opening of Marieke Lucas Rijneveld’s startling and lyrical novel, translated from the Dutch by Michele Hutchison: an introduction to ten-year-old Jas and the dislocated world... Read more... |
