violence
Birds of Prey review - the DCU is back on trackThursday, 06 February 2020
Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded,... Read more... |
The Lighthouse review - shiver me timbersThursday, 30 January 2020
A creepy lighthouse on a remote island, a blistering storm, a mermaid languishing on the shore and two fabulously bewhiskered actors chewing up the scenery like there’s no tomorrow. The Lighthouse feels like it’s been washed up in a bottle... Read more... |
The Gentlemen review - it ain't woke but don't fix itThursday, 02 January 2020
Guy Ritchie enjoyed his greatest commercial success with 2019’s live-action fantasy Aladdin, the most atypical project of his career, but The Gentlemen finds him back on his best-known turf as a purveyor of mouthy, ultra-violent geezerism. It’s 21... Read more... |
The Cave review - heroic Syrian hospital workersMonday, 09 December 2019
War crimes are war crimes, irrespective of the victims’ ages, gender, or ethnicities, and no one’s torture or murder is more abhorrent than anyone else’s. Yet because children are essentially innocent and incapable of defending themselves, and... Read more... |
The Nightingale review – revenge without redemptionMonday, 02 December 2019
Writer-director Jennifer Kent knows that Australia’s colonial past shouldn’t be beautified, and she drives that fact home in every gloom-drenched shot of The Nightingale (her second feature after The Babadook from 2014). This is an immensely... Read more... |
Knives Out review - marvellous murder mysteryThursday, 28 November 2019
The world’s most successful mystery writer is found dead on the morning after his 85th birthday. In attendance in his Gothic pile are his bickering family, each of whom might wish him dead, and a colourful detective ready to determine whodunnit... Read more... |
Ophelia review - tragic no moreSaturday, 23 November 2019
Ophelia is one of Shakespeare’s most iconic yet underdeveloped dramatic roles. A sweet and naïve girl, she’s driven mad by Hamlet’s wavering affections and her father’s death. She was often the subject of paintings, yet rarely of novels until the... Read more... |
The Irishman review - mobster masterclassThursday, 07 November 2019
Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more ... Read more... |
Monos review - teenage guerrillas raising havocThursday, 24 October 2019
In the opening scene of Alejandro Landes’s strange, beautiful but finally unsatisfying Monos, eight teenage guerrillas are playing football blindfold on a high mountain plateau. Why the blindfolds? Perhaps to warn us not to expect any light to be... Read more... |
Terminator: Dark Fate review – look who's backThursday, 24 October 2019
Sentient machines have taken over the Earth. The leader of the human rebellion is so effective that a robotic ‘terminator’ is sent back in time to ensure he’s never born. A guardian follows, to ensure he is. We’ve been here before. Even in the... Read more... |
Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding formThursday, 10 October 2019
“Every now and then the country goes a little wrong”: so goes one of the many lyrics from the Stephen Sondheim-John Weidman musical Assassins that makes this 1990 Off Broadway musical (subsequently chosen to open Sam Mendes’ Donmar Warehouse in 1992... Read more... |
Hotel Mumbai review – Dev Patel shines in harrowing real-life dramaThursday, 26 September 2019
Like recent films about the Anders Breivik terror attacks in Norway, Hotel Mumbai unavoidably raises questions of taste. Do audiences really need to be subjected to harrowing recreations of real-life suffering, when the events themselves... Read more... |
