thu 08/05/2025

Visual arts

Shaped by War: Photographs by Don McCullin, Imperial War Museum

Armed American soldiers stand in the stone window frames of a ruined building in Berlin, curious and disturbing echoes of those classical statues that so often were used to add portentous significance to a facade; but here in a 1961 photograph by...

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Colouring Light: Brian Clarke - An Artist Apart

My relationship with the artist Brian Clarke, the subject of my forthcoming film, goes back a long way: when I first filmed him for a documentary I made for BBC Two in 1993 - a film about windows as symbols and metaphors in the series The...

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Frieze Art Fair 2011: Emotion under the Irony

Every year the art lovers of the world assemble in London and burn themselves out during Frieze Week - the fairs, the galleries, the parties - and (if they're anything like me) they vow to take it a bit easier next year. It never happens. The entire...

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Tacita Dean, FILM, Tate Modern

Tate Modern’s lofty Turbine Hall is dominated by a giant CinemaScope screen flipped on its side so it becomes 42ft high and resembles a lift shaft or cathedral window. Instead of angels, saints or sinners, though, the starring role in Tacita Dean’s...

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Anri Sala, Serpentine Gallery

A cycle of films by the Albanian artist which explore sound's r elationship to the image. Until 20 November http://bit.ly/pYLrb3

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Barbara Loftus: Sigismund's Watch: A Tiny Catastrophe, The Freud M useum

A provocative cycle of artworks prompted by the recollections o f the artist's mother Hildegard, who fled from Germany to England as a Jew ish refugee in 1939. The story is told through a series of paintings and wo rks on paper, contextualised by...

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Structures & Absence, White Cube Bermondsey

This inaugural exhibition of White Cube's 3rd London gallery ta kes a fresh look at contemporary abstraction. Artists include Andreas Gursk y, Gary Hume, Agnes Martin and Gabriel Orozco. Until 26 November

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Anri Sala, Serpentine Gallery

A single snare drum greets you on entry to the Serpentine Gallery; there’s no one playing it, yet in response to an inaudible cue, the drumsticks begin to vibrate autonomously. Meanwhile on a nearby wall, a pair of blue rubber gloves revolves slowly...

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Grayson Perry: The Tomb of the Unknown Craftsman, British Museum

You might think that a sharp-talking, cross-dressing potter-artist with a teddy bear obsession would present a challenge to the British public. Not a bit of it. Grayson Perry is music hall, he’s pantomime – there’s even a touch of Brideshead in...

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Gerhard Richter: Panorama, Tate Modern

In recent years it seems we have seen an awful lot of Gerhard Richter. There have been three major exhibitions in London well within the last seven or eight years. One is hardly complaining, since there is always a demand to see “the world’s most...

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Miracles and Charms, Wellcome Collection

Ex-voto paintings are a tradition in Mexico, an offering of gratitude to God and the saints for answered prayers, row after row of them lining the walls of Mexican churches, testifying to the congregations’ devotion, and to the enduring link between...

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Pipilotti Rist: Eyeball Massage, Hayward Gallery

In 1997 the Swiss artist Pipilotti Rist produced one of the most delightful videos ever made, and it won her the Biennale. Ever is Over All shows a young woman skipping down a city street gaily smashing car windows with a red-hot poker; and...

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