Choruses rocked, choreo popped, and thousands of light sticks danced in unison, as an incredible lineup of nine acts lit up this fourth edition of Korea On Stage, celebrating 140 years of UK-Korea relations.The evening commenced with the beautifully clear timbre of the traditional Korean stringed instrument, the gayageum, played by Yageum Yageum, who adroitly fused the ancient and the modern in her opening medley of songs by BTS, FIFTY FIFTY, NewJeans and IVE. Seated centre stage, her nimble-fingered playing, beatific smile and lightly worn virtuosity radiated a sense of joy which set the Read more ...
Wembley
Anya Ryan
“One night I had a vision of this,” says a visibly emotional Damon Albarn as he looks out to the mass of the crowd at Wembley. Despite closing the London Olympics in 2012, selling millions of albums and headlining Glastonbury, there is the sense that even in their prime, performing two nights at the 90,000 Stadium was one step out of reach.So, the unadulterated elation – shock even that Blur feels to be here now pumps this reunion. All these years later they’ve done it, and you bet that they’re going to enjoy it.But it is the band’s quiet, unpretentious delight that makes this show so heart- Read more ...
Nick Hasted
“I’d like you to know that you can breathe as heavy as you like,” Morrissey declares, somewhat against government advice. “It really doesn’t matter. I can take it!” Like a cross between Elvis Presley and Donald Trump, this great, divisive pop star feeds off rallies of the faithful. If his upcoming, inevitable Vegas residency is among the mass gatherings we lose, it will leave both sides forlorn. “I love you and nothing, nothing will ever change that,” he adds of his relationship with his fans, near the end of a two-hour show heavily weighted to recent work. Much like Bob Dylan’s current sets Read more ...
Sebastian Scotney
"The nice bloke-ness of Robbie shines through all he does,” David Baddiel commented in a tweet thanking the singer for dedicating his Wembley performance of “I Love My Life” to him. There is no denying it. Williams has that side to him which combines mischief, being game-for-anything, and taking on the mission to entertain the audience. It is his strength. He set the tone early with “Let Me Entertain You”, the second song on the Wembley set-list. And the same positive energy can be witnessed currently injecting much-needed life into Aldi’s otherwise irredeemably embarrassing "Kevin the Carrot Read more ...
Katie Colombus
Janelle Monae says her show is all about making memories. She tells the crowd: “I hope that I can become a memory for you that you access when you’re feeling down – a memory that’s rooted in love and freedom.”Themes of #loveislove, courage to live your reality even if outside of the norm, and speaking truth to power are loud and proud in Dirty Computer – the album Janelle is touring Europe, with the London leg coming hot on the heels of a Glastonbury appearance.Her energy isn’t diminished as she takes to the stage in variations of a monochrome unitard, PVC cap and floor length coat, Read more ...
Liz Thomson
While Elton John was picking up another bauble and tinkling the ivories in Paris, the world’s other Piano Man was heading to London and Wembley, where he last played three years ago. It was Billy Joel’s only British gig in a stadium tour that kicked off in Orlando in January and which saw him recently notch up his one-hundredth Madison Square Garden concert – as artist-in-residence he’s been playing one concert a month there since 2014. The boy from the Bronx done good and no mistake.Two Piano Men – "two gifted, idiosyncratic artists who exist... between pop and rock, where Broadway show Read more ...
Jasper Rees
The Stones do it. U2 too. It takes immense and lordly clout for a touring band to breeze into town and each night summon a major recording artist to step onstage for some party fun. For Arcade Fire’s first night at Wembley Arena it was Chrissie Hynde. For the second, Jarvis Cocker lolloped up in a cream twin-breast linen suit to deliver that radio-friendly anthem, “Cunts Are Still Running the World”. Plus ça change, as they say in Montreal.From “Everything Now” to “Wake Up”, this was a sensational spectacle. Arcade Fire have taken the concept of performing in the round and, with the aid of an Read more ...
Veronica Lee
Chris Rock, another fine alumnus of the comedy factory known as Saturday Night Live, rarely comes to these shores, so his short arena tour was welcome. He last visited the UK 10 years ago as he had been busy with, among other things, presenting the Oscars, voicing Marty the Zebra in the Madagascar films and bringing up a family.The last subject was part of a lot of personal material in his 90-minute set, much of it about the break-up of his marriage, of which more later. First, though, he addressed the post-Harvey Weinstein world we now live in, assuring us that he no longer touches any Read more ...
Liz Thomson
I’ll never forget the first time: Saturday 17 June, 1978, Earls Court. The concert lives on in my mind’s ear still – those not fortunate enough to be there should listen to Live at Budokan (on which, that autumn, in Liverpool’s Probe Records, I spent more than a week’s grant money), recorded on the same tour. A month later, Saturday 15 July, Dylan headlined at the Picnic, at Blackbushe, which felt like our Woodstock.1978… The summer of Bob Dylan. I’d been a fan for years, when my classmates were screaming for the Osmonds and David Cassidy. It’s only a slight exaggeration to say that summer, Read more ...
Andrew Cartmel
Anyone who has been to the movies in the past 30 years will have heard the work of Hans Zimmer. His music is part of the very fabric of our lives, as was dramatically demonstrated last night at the packed Wembley SSE Arena when the opening notes of The Lion King were greeted with a huge roar of appreciation from the audience. Zimmer, who moved from instrument to instrument with aplomb throughout the evening, was playing guitar on this one as Lebohang Morake and Zoe Mthiyane sang rousingly and woodwind maestro Richard Harvey accompanied them, piercing and lyrical, on the penny whistle. It was Read more ...
kate.bassett
Eddie Izzard is lining up his targets. He’s taking issue with dictatorial authority figures, with God, royals and priests, right-wingers and high-profile liars. These days, he doesn’t merely natter about the colour of his nail varnish, though that’s still in the mix. In his new solo show, Force Majeure - trumpeted as the most extensive comedy tour ever, taking him from Cardiff to Kathmandu - his transvestism is mentioned, but only en passant. His mixture of masculine/feminine attire is, likewise, understated: a traditional gent’s suit from Savile Row, with a just a glimpse of high heels. Read more ...
Adam Sweeting
The latter years of Michael Jackson were a sorry saga of debt, lawsuits and sordid allegations about his private life, with the artist seeming an increasingly desperate and isolated figure. Director Spike Lee aims to salvage Jackson's artistic reputation, and this sprawling two-hours-plus documentary keeps its lenses firmly focused on Jackson's musical and performing gifts.Lee's theme is the creation of Jackson's album Bad, released in August 1987 and the follow-up to Thriller. The latter was not an easy act to follow, and became the world's all-time bestselling album with (by some estimates Read more ...