tue 26/03/2019

West End

Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revival

The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is...

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The Twilight Zone, Ambassadors Theatre review – retro wit for our new space age

As China and the US arm-wrestle for world domination in everything from trade to military power, we find ourselves in the throes of a space race again. After China became the first nation to land on the dark side of the moon this January, it seems...

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The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to the West End, the small powerhouses of the Donmar Warehouse and the Almeida and out to the fringe...

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Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway

There's a lovely, quietly subversive musical lurking somewhere in Waitress, and for extended passages in the second act that show is allowed to shine through. The flip side means putting up with an often coarse first act that seems to have taken its...

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Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcom

It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a string of Christmas specials kept the show running until 2003. It was showered with awards and critical acclaim, and in 1996 the...

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Come From Away, Phoenix Theatre review - a necessary corrective to our traumatic times

Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of Come From Away, the surprise Broadway musical hit about the community that was taking place north of the US/Canada border even as...

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9 to 5 the Musical review - Dolly Parton's film returns as retooled version of a Broadway flop

A musicals-intensive season gets off to a wan start with 9 to 5, a retooled West End version of a 2009 Broadway flop based on the beloved 1980 film that proffered a sisterhood for the ages in the combo of Dolly Parton, Jane Fonda, and Lily Tomlin....

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All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting one

Women spend a lot of time gazing at themselves in the mirror in the Belgian auteur director Ivo van Hove's latest stage-to-screen deconstruction, All About Eve, which is based on one of the most-beloved of all films about the theatre: the 1950 Oscar...

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The Price, Wyndham's Theatre review - David Suchet stands supreme

There’s a rather sublime equilibrium to Arthur Miller’s 1968 play between the overwhelmingly heavy weight of history and a sheer life force that somehow functions, against all odds, as its counterbalance. But in purely dramatic terms the scales of...

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Pinter Seven, Harold Pinter Theatre review - elaborations of anxiety

It was back to the very beginning for this final instalment of “Pinter at the Pinter”, with its pairing of A Slight Ache and The Dumb Waiter. Both were written at the end of the 1950s, which explained a certain rock’n’roll vibe in the auditorium,...

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Home, I'm Darling, Duke of York's Theatre review - Katherine Parkinson rules the roost

The Fifties? They were terrible: bone-cold houses where people huddled round the fireplace for heat, empty Sundays that lasted a month, drawn-out rationing, bread you could build houses with. It was all making do and mending and "grey meat, grey...

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Violet, Charing Cross Theatre review - Jeanine Tesori's faith musical is a gentle pleasure

Following Caroline, or Change and Fun Home, the UK is blessed with another work from American composer Jeanine Tesori; this is the British premiere of her 1997 musical Violet, which had a Sutton Foster-starring Broadway production in 2014. If not as...

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