WNO
Moses und Aron, Welsh National OperaSunday, 25 May 2014
Schoenberg’s last, unfinished, opera, seldom staged, might almost have been written for the Welsh. At its heart is some of the most refined and intricate choral writing since Bach, but linked to stage directions so complicated that one wonders... Read more... |
Manon Lescaut, Welsh National OperaSunday, 09 February 2014
As before, WNO have a theme for their new opera season: this time it’s Fallen Women, a topic that might well attract the attention of the Equal Opportunities Commission. Surely men have the right to fall as well; we await, in June, The Fall of the... Read more... |
Roberto Devereux, Welsh National OperaThursday, 03 October 2013
Whatever it was about the kings and queens of England that so intrigued Donizetti, it certainly wasn’t their politics. The third, and last, in WNO’s autumn cycle shows Elizabeth once again in a state of unrequited love with one of her rebellious (... Read more... |
Maria Stuarda, Welsh National OperaSaturday, 14 September 2013
Last week Anne Boleyn, this week Mary Queen of Scots. Donizetti’s trawl through the Tudor monarchs and their victims was more a recurrent obsession than a systematic exploration. WNO, on the other hand, seem to be implying some Ring-like continuity.... Read more... |
Anna Bolena, Welsh National OperaSunday, 08 September 2013
“Let the florid music praise,” sing Britten and Auden in their On This Island cycle; and I suppose we must do as we’re told, though aesthetic duty can be a hard taskmaster. For me it cracks its whip in the three Donizetti operas that, inexplicably,... Read more... |
Paul Bunyan, Welsh National Youth Opera, CardiffSaturday, 24 August 2013
Reading through WH Auden’s libretto for Britten’s first stage work – the so-called operetta Paul Bunyan – it’s sometimes hard to decide whether the intention was to participate in the great American dream or to make fun of it. In 1941 both artists... Read more... |
Wagner Dream, Welsh National OperaFriday, 07 June 2013
Those who knew the composer Jonathan Harvey, who died of motor neurone disease last December, will remember him as the least demonstrative, least theatrical of men. His presence was gentle, soft-spoken, essentially inward – the physical image of the... Read more... |
Lohengrin, Welsh National OperaFriday, 24 May 2013
What is one to make of Lohengrin, Wagner’s last “opera” (as opposed to music drama), in this day and age? Is it a medieval romance, like Weber’s Freischütz but with a deus ex machina at the beginning rather than the end; or is it a nineteenth-... Read more... |
The Cunning Little Vixen, Welsh National OperaMonday, 25 February 2013
Janáček’s opera subjects – the 300-year-old opera singer, the composer with a mad mother-in-law, the Siberian prison camp – are by any standards a fairly rum collection. But The Cunning Little Vixen is arguably the most deviant of the whole bunch.... Read more... |
Madam Butterfly, Welsh National OperaSaturday, 16 February 2013
Last week Lulu, this week Cio-Cio San, next week the Vixen Bystrouška. These are the three exemplars of David Pountney’s “Free Spirits” – as he labels his first themed season with WNO. But it’s hard to see poor little Butterfly, pinned to a board by... Read more... |
Lulu, Welsh National OperaSaturday, 09 February 2013
What-ifs and might-have-beens are usually as pointless in music as in any other walk of life. Still one can’t help wondering how Alban Berg would have completed – and, no less interesting, revised – his opera Lulu, if he hadn’t been stung by some... Read more... |
WNO Chorus and Orchestra, Poppen, St David's Hall, CardiffSaturday, 17 November 2012
Speaking about the Requiem he composed in 1990 in memory of the London Sinfonietta’s long-time artistic director Michael Vyner, Hans Werner Henze always talked as a believing atheist. “Paradise is here or ought to be,” he insisted, “not later, when... Read more... |
