WNO
William Tell, Welsh National OperaSaturday, 13 September 2014
A few months ago, while looking something up about Liszt’s piano piece “Chapelle de Guillaume Tell,” I discovered to my horror that William Tell – like Robin Hood – may never have existed. Even the apple, like the one in Genesis (there is no apple... Read more... |
The Fall of the House of Usher, Welsh National OperaSaturday, 21 June 2014
The Fall of the House of Usher is one of Edgar Allan Poe’s mistier tales, and although it has been turned into opera a few times, there are obvious difficulties. Debussy struggled for a decade to materialise a drama out of its haunting, neurotic... Read more... |
Moses und Aron, Welsh National OperaSunday, 25 May 2014
Schoenberg’s last, unfinished, opera, seldom staged, might almost have been written for the Welsh. At its heart is some of the most refined and intricate choral writing since Bach, but linked to stage directions so complicated that one wonders... Read more... |
Manon Lescaut, Welsh National OperaSunday, 09 February 2014
As before, WNO have a theme for their new opera season: this time it’s Fallen Women, a topic that might well attract the attention of the Equal Opportunities Commission. Surely men have the right to fall as well; we await, in June, The Fall of the... Read more... |
Roberto Devereux, Welsh National OperaThursday, 03 October 2013
Whatever it was about the kings and queens of England that so intrigued Donizetti, it certainly wasn’t their politics. The third, and last, in WNO’s autumn cycle shows Elizabeth once again in a state of unrequited love with one of her rebellious (... Read more... |
Maria Stuarda, Welsh National OperaSaturday, 14 September 2013
Last week Anne Boleyn, this week Mary Queen of Scots. Donizetti’s trawl through the Tudor monarchs and their victims was more a recurrent obsession than a systematic exploration. WNO, on the other hand, seem to be implying some Ring-like continuity.... Read more... |
Anna Bolena, Welsh National OperaSunday, 08 September 2013
“Let the florid music praise,” sing Britten and Auden in their On This Island cycle; and I suppose we must do as we’re told, though aesthetic duty can be a hard taskmaster. For me it cracks its whip in the three Donizetti operas that, inexplicably,... Read more... |
Paul Bunyan, Welsh National Youth Opera, CardiffSaturday, 24 August 2013
Reading through WH Auden’s libretto for Britten’s first stage work – the so-called operetta Paul Bunyan – it’s sometimes hard to decide whether the intention was to participate in the great American dream or to make fun of it. In 1941 both artists... Read more... |
Wagner Dream, Welsh National OperaFriday, 07 June 2013
Those who knew the composer Jonathan Harvey, who died of motor neurone disease last December, will remember him as the least demonstrative, least theatrical of men. His presence was gentle, soft-spoken, essentially inward – the physical image of the... Read more... |
Lohengrin, Welsh National OperaFriday, 24 May 2013
What is one to make of Lohengrin, Wagner’s last “opera” (as opposed to music drama), in this day and age? Is it a medieval romance, like Weber’s Freischütz but with a deus ex machina at the beginning rather than the end; or is it a nineteenth-... Read more... |
The Cunning Little Vixen, Welsh National OperaMonday, 25 February 2013
Janáček’s opera subjects – the 300-year-old opera singer, the composer with a mad mother-in-law, the Siberian prison camp – are by any standards a fairly rum collection. But The Cunning Little Vixen is arguably the most deviant of the whole bunch.... Read more... |
Madam Butterfly, Welsh National OperaSaturday, 16 February 2013
Last week Lulu, this week Cio-Cio San, next week the Vixen Bystrouška. These are the three exemplars of David Pountney’s “Free Spirits” – as he labels his first themed season with WNO. But it’s hard to see poor little Butterfly, pinned to a board by... Read more... |
