fri 07/08/2020

Young Vic

A Streetcar Named Desire, National Theatre at Home review - world on fire

The National Theatre’s triumphant march through its archive of NT Live recordings continues this week with a glorious blaze of a show. Starring Gillian Anderson, Ben Foster and Vanessa Kirby, this 2014 revival of Tennessee Williams’s 1947 modern...

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Theatre Lockdown Special 6: A prolific playwright, a timeless play, and speeches galore

Can we really be entering a third month in lockdown? Indeed we can, and culture, thank heavens, shows no signs whatsoever of leaving us in the lurch. This week's lineup of highlights offers a typically electic bunch, ranging from two sizable...

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Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

Ibsen's Nora slammed the door on her infantilising marriage in 1879 but the sound of it has continued to reverberate down the years. In 2013, Carrie Cracknell directed Hattie Morahan in an award-winning performance at this theatre, last year Tanika...

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Fairview, Young Vic review - questioning the assumptions of race

Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation for putting audiences on their mettle through a build-up of theatrical surprises that culminate in a denouement about...

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Death of a Salesman, Piccadilly Theatre review - galvanising reinvention of Arthur Miller's classic

It is 70 years since Willy Loman first paced a Broadway stage; 70 years since audiences were sucked into the vortex of a man trying to live America’s capitalist dream only to see his life crash and burn around him. This production, which transfers...

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Blood Wedding, Young Vic review - inventive, poetic if over-stretched revival of Lorca's rural tragedy

Earthiness, lyricism, fatalism, the undeniable force of passion, of ecstatic attraction, known as "duende": these are the familiar ingredients of Lorca's plays set in rural Spain. Blood Wedding, written in 1932, was the first, followed by Yerma two...

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Bronx Gothic, Young Vic review - fervid intensity

It’s hard, and finally fruitless to attempt to describe Okwui Okpokwasili’s Bronx Gothic in conventional terms of genre: combining elements of dance and theatre, this visceral solo performance transcends both. It engages with frantic movement at the...

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Death of a Salesman, Young Vic review - new-minted revival of a masterpiece

The Young Vic, a welcoming theatre with a culturally diverse audience, has been home to memorable Miller revivals before, notably Ivo van Hove's emotionally shattering, stripped-back A View From the Bridge in 2014. But before that, in the 1980s and...

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Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train, back in London for the first major production since the late Philip Seymour Hoffman brought his acclaimed...

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The Convert, Young Vic review - Africa's electric cry for justice

Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at least, two of them have. The Convert has been written by actor and playwright Danai Gurira (Okoye), and stars Letitia Wright (Shuri)....

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Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home

What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical version of Twelfth Night, which additionally marks Kwame Kwei-Armah's debut production at the helm of that undeniable dynamo...

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Fun Home, Young Vic review - a simply sublime musical memoir

It seems only too fitting that David Lan’s luminous reign at the Young Vic should draw to a close with this bold, creatively thrilling international import. Jeanine Tesori and Lisa Kron’s Tony-winning musical, which premiered Off-Broadway in 2013,...

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