Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

EU Referendum Results – BBC, ITV, Sky News

In an evening of unexpected victories, Sky News did surprisingly well

share this article

'Start taking it down Barry, it's over'

And so we come to the end of the most spiteful, divisive and downright deceitful political campaign in living memory. And while we’re on the Ds, I’ll have disingenuous too, thanks. The remain camp was captained by a mildly Eurosceptic prime minister, who called the referendum in an attempt to secure an election victory, while Brexit has been spearheaded by a shambolic, and mildly Europhile, thatched homunculus, who simply wants the other guy’s job. We are, essentially, collateral damage in a spectacularly damaging career move.

But with the shouting is over, it’s time for the really important stuff to unfold: Would Sunderland continue its frankly unfathomable bid to return the count first; would anyone make an ill-advised pledge to eat an item of clothing; and who would call it first?

David Dimbleby was heading the team for the BBC – of course – and, as the countdown to the end of the awfulness began, it was clear that Auntie was campaigning hard on the safe ground of whizz-bang graphics. With a set that already looks like a gaudy TARDIS interior, they augmented by illuminating Broadcasting House with projections so poor and pointless they may as well have shone a torch through a stencil. There was also a whole new range of frankly unfathomable graphics for Jeremy Vine (pictured below) to trip over. The visual element is supposed to be crucial to our understanding, but when a posh slide rule needs 10 minutes of explanation and still leaves Labour deputy leader Tom Watson shaking his head, it might be an indicator that something has gone very wrong indeed.Jeremy VineNot to be outdone, ITV, fronted by Tom Bradby looking every inch the Olly Murs of the political stage, introduced… THE PROBABILITY GRAPH! However, after a brief summary, it became clear that a better name might be "the stab-in-the-dark guess-maths grid".

Only Sky News, playing to referendum type by having, in Adam Boulton and Kay Burley, two broadly unlikeable characters to front their campaign, seemed intent on giving us any actual news. They did this well and, by avoiding lengthy explanations of how they would convey the figures without resorting to actually conveying the figures, had the time to let people in locations across the UK talk engagingly and at length about local concerns and factors that could influence the outcome. This was consistently the most illuminating coverage of the night.

A lot of what we saw, of course, felt like a straight rerun of last May. The polls were wrong, early calls were taken back – and there were far too many callbacks to "Ashdown’s hat". While I’ll never get used to watching Robert Peston on ITV (it’s like seeing Wayne Rooney in a Liverpool strip) he was as engaging as ever – when he wasn’t checking his phone, that is. Perhaps the channel’s exclusive interview with disgraced former News of the World editor Andy Coulson was, in fact, a carefully planned ruse to get Peston to put his mobile away sharpish. Coulson’s got form, after all.

Despite these points of difference, however, much of what transpired was down to events themselves rather than how they were packaged. As it became clear that the split was going to be almost down the middle, for half the country, picking a channel to watch the results unfold was like choosing the window through which you'd most like three tonnes of slurry to be poured into your house. Quite fitting given the omnipresence, after a certain time, of Nigel Farage, a man whose campaign has been the political equivalent of farting loudly then looking round with a wink and proclaiming, “Better out than in, eh?”

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Picking a channel to watch the results unfold was like choosing the window through which you would most like three tonnes of slurry to be poured

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more tv

Brilliant cast powers gripping con-artist drama
You can fool all the people some of the time, and some of the people all the time...
Harlan Coben thriller does what it says on the tin
Second series of CIA drama ratchets up the pressure
A cancer operation is just one of the trials ahead for Diddly Squat in a moving new season
The 'Bergerac' star discusses his detective skills, playing troubled men and taking on his first theatre role after a nine-year hiatus
Friendships tested to destruction in Catherine Shepherd's satirical drama
Steve Coogan and Tom Burke lead a formidable cast in Neil Forsyth's drama
Gripping three-part saga is smarter than the average pop-doc
The latest helping of the Jilly Cooper adaptation is much like the first: sparky, filthy fun
The Tony Award-winning star talks female power, sexism and becoming more Scottish with age