jillian.edelstein
Bio
Jillian photographed the Truth and Reconciliation Commission in South Africa for the New York Times and many other stories for The New Yorker, Vogue and Vanity Fair among others. Her portraits were recently exhibited at the National Portrait Gallery.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
When news first filtered through that the Scouse comedian John Bishop’s marital woes were going to be turned into a film, my brain lazily…
The Weaving is an Ango-Irish trio of accordion, voice, fiddle and piano. The voice belongs to Méabh Begley, from Kerry’s prominent musical…
On a dank January evening in St Albans, there seemed little sign of life or excitement on the streets. To reach my destination – St Peter’s…
“One pure sonofabitch 45. The record to put them high in the national charts. Top five at least.” In October 1976, the weekly music paper…
There is nothing to compare with the visceral experience of hearing a massed choir – in this case the 230-strong combined forces of the…
Tim Crouch is one of our great theatrical alchemists. Most famously – in his conceptual show An Oak Tree – he creates a portrait of grief…
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Stravinsky: Late Works Cappella Amsterdam, Nord Nederlands Orkest/Daniel Reuss (…
Spanning centuries, cultures and an ocean, Finn Anderson and Tania Azevedo’s new musical, Ballad Lines (say it fast and it sounds like…
It’s more than a decade since Opera North had a new production of The Marriage of Figaro, and 30 years since the one before that had its…