fri 14/03/2025

Jess Gillam

Articles By Jess Gillam

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Black Bag review - lies, spies and unpleasant surprises

Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...

Henry Gee: The Decline and Fall of the Human Empire - Why Ou...

Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK...

Weather Girl, Soho Theatre review - the apocalypse as surrea...

Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...

Clueless: The Musical, Trafalgar Studios review - a perfectl...

Before there was Barbie: The Movie, before there was Legally Blonde, there was Clueless, the Valley Girl movie that...

Album: Jason Isbell - Foxes in the Snow

America – the pro-wrestling-ass nation, the ultimate society of the spectacle – famously likes things big, and modern country and western music...

Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls i...

Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its...

First Person: singer-songwriter David Gray on how the songs...

Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the...

Sister Midnight review - the runaway bridegroom

Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker...

The Habits, Hampstead Theatre review - who knows what advent...

“The exercise of fantasy is to imagine other ways of life,” says one of the role-players during a Dungeons & Dragons marathon, because “...