fri 18/10/2024

Justine Elias

Articles By Justine Elias

theartsdesk Q&A: Alice Lowe on 'Timestalker' and what women rue through the ages

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Notes from Sheepland review - her farm is her canvas

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The Critic review - beware the acid-tipped pen

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Starve Acre review - unearthing the unearthly in a fine folk horror film

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Cuckoo review - insane time in the Bavarian Alps

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Trap review - how not to find a serial killer in a haystack

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The Micro Golden Age of Mid Eighties Fantasy Films

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Sorcery review - a tale of shapeshifting revenge

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Rosalie review - a bride embraces her difference

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Riddle of Fire review - unsubtle but likeable kids' adventure flick

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Love Lies Bleeding review - a pumped-up neo-noir

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I.S.S. review - sci-fi with a sting in the tail

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All You Need Is Death review - a future folk horror classic

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Night Swim review - hardly immersive horror flick

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Please Don't Destroy: Treasure of Foggy Mountain review - Dude, where's our map?

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Cobweb review - family secrets, bad dreams

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Christian Gerhaher, the most compelling and complete interpreter of German...

What We Talk About When We Talk About Anne Frank, Marylebone...

An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling...

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Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed,...

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Grandiloquent indie-synth-pop outfit Bastille have been...

Oedipus, Wyndham's Theatre review - careful what you wi...

How many times does a politician survive wave after wave of attack from rivals, surf the waves of fickle voters and tiptoe around every policy...

The Crime Is Mine review - entertaining froth from a crack c...

For his latest pick’n’mix sortie into the world of the women’s picture,...

Woman of the Hour, Netflix review - gripping drama follows a...

“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming...