thu 19/06/2025

Justine Elias

Articles By Justine Elias

Tornado review - samurai swordswoman takes Scotland by storm

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Big Star: The Nick Skelton Story review - the ways of a man with his mount

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A Working Man - Jason Statham deconstructs villains again

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William Tell review - stirring action adventure with silly dialogue

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10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'

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Witches review - beyond the broomstick, the cat, and the pointy hat

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Joy review - the birth pangs of in vitro fertilisation

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theartsdesk Q&A: Alice Lowe on 'Timestalker' and what women rue through the ages

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Notes from Sheepland review - her farm is her canvas

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The Critic review - beware the acid-tipped pen

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Starve Acre review - unearthing the unearthly in a fine folk horror film

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Cuckoo review - insane time in the Bavarian Alps

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Trap review - how not to find a serial killer in a haystack

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The Micro Golden Age of Mid Eighties Fantasy Films

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Sorcery review - a tale of shapeshifting revenge

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Rosalie review - a bride embraces her difference

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...