sun 23/02/2025

mark irving

Articles By Mark Irving

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...

Richard II, Bridge Theatre review - handsomely mounted, emot...

Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...

Backstroke, Donmar Warehouse review - a complex journey thro...

The theatre director Anna Mackmin has...

Donald Rodney: Visceral Canker, Whitechapel Gallery review -...

Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the...

Album: Heather Nova - Breath and Air

With her 13th studio album, Heather Nova delivers what you might expect from one of the 90s' most distinctive alternative voices – though longtime...

Bach's Mass in B minor, The English Concert, Bezuidenho...

If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book...

Light of Passage, Royal Ballet review - Crystal Pite’s cosmi...

“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in...