Peter Quantrill
Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

articles by Peter Quantrill

latest in today

Supposing: ★★★★★Sally fell down a hole outside the local theatre. Since then, things have changed. She just… knows things that other…
Tom Read Wilson ★★★★Gilded Balloon MuseumTom Read Wilson has been plying his trade as an actor and singer for while but reality TV is where…
“My Lost One”, Materia’s second track, is remarkable. Exemplifying the Julia Holter ethos to the max, it begins wispily with interweaving…
After a century of trail-blazing Black musicians across every genre, it’s dumbfounding to discover that clarinettist Anthony McGill is the…
It’s been 35 years since Tony Kushner’s two-play, multi-hour epic gay soap opera-cum-spiritual meditation was first unleashed on the world…
The latest in Peter Culshaw’s occasional radio shows with a global music bent is a post-WOMAD chat with one of its originators, who…
It's a reviewer's unkind luxury to moan about having to sit through yet another performance of Elgar's Cello Concerto simply to hear a…
You’re not going to catch Alan Ritchson playing King Lear at Stratford or doing Noël Coward at Chichester, but as an implacable warrior for…
The clue is in the name, I suppose. Revolución diamantina – Glitter revolution – was written in 2023 by Gabriela Ortiz (pictured below) as…
Matt FordePleasance Courtyard ★★★★Matt Forde is one of those comics Fringe-goers can rely to present a well-prepared and funny show, and…