fri 17/10/2025

Peter Quantrill

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Bio
Peter has written about music ever since completing his studies in the Classics. He contributes regularly to Gramophone, the Catholic Herald and The Strad, as well as writing for the Salzburg Festival, Warner Classics, Opera and Pianist magazines, among others. He also made significant contributions to Help your Kids with Music (Dorling Kindersley, 2015) and 1001 Classical Recordings (Cassell, rev 2016).

Articles By Peter Quantrill

Così fan tutte, Garsington Opera review - gambling with the highest stakes

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Siegfried, RINGafa, St Mary’s Putney review - heroes everywhere

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Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

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Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

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Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

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King Lear, The Grange Festival review - friendship in adversity

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Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrow

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Siegfried, Göteborg Opera online review - a hero for our times

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Myaskovsky Dialogues, Yekaterinburg online review - revival and revelation

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Pavel Kolesnikov, Wigmore Hall online review - the joyful wisdom of the Goldbergs

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Paul Lewis, Wigmore Hall review – Classical consolations

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BSO, Karabits, The Lighthouse, Poole online review – stealing fire from the gods

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Istanbul International Music Festival online review – East-West flair and finesse

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Bernard Haitink: The Enigmatic Maestro, BBC Two review - saying goodbye with Bruckner

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Being Beethoven, BBC Four review – from grubby kid to grumpy genius

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Missa solemnis, BBCSO, Runnicles, Barbican review - affirmation in the face of adversity

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'We are bowled over!' Thank you for your messages... ...
After the Hunt review - muddled #MeToo provocation

The last few years have seen the much-needed positivity of the #MeToo movement...

Cockerham, Manchester Camerata, Sheen, Martin Harris Centre,...

Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter...

Ballad of a Small Player review - Colin Farrell's all i...

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London Film Festival 2025 - Bradley Cooper channels John Bis...

Is This Thing On? 

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Heartbreak and soaring beauty on Chrissie Hynde & Pals...

A key part of Chrissie Hynde’s brilliance and longevity has always been her ability to keep multiple musical personas going at once. She’s the...

Ragdoll, Jermyn Street Theatre review - compelling and emoti...

Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolph Hearst’s granddaughter, who, at the age of...

The Last Dinner Party's 'From the Pyre' is as...

Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness,...

Thomas Pynchon - Shadow Ticket review - Pulp Diction

Thomas Pynchon is having a moment. Paul Thomas Anderson’s second Pynchon adaptation, One Battle After Another (loosely based on...