thu 16/05/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

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Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre

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Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

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Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominates

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Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice

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Wicked Little Letters review - sweary, starry film is mostly strange

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An Enemy of the People, Duke of York's Theatre - performative and predictable

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The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

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Dear Octopus, National Theatre - period rarity is a real pleasure

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Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy

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The Color Purple review - sensational second time round for Alice Walker's novel on screen

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Best of 2023: Theatre

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Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

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A Christmas Carol, The Old Vic review - older, wiser, and yet more moving

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The Witches, National Theatre review - fun and lively but where's the heart?

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Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, too

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latest in today

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...

Jack Doherty, Soho Theatre review - warm and witty childhood...

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...

Album: Jack Savoretti - Miss Italia

It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds,...

Two Tickets to Greece review - the highs and lows of a holid...

Two women were best friends at school but they haven’t...

Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...

Blu-ray: Chocolat

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...