Thomas H. Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Over the past few years, the National Theatre has specialized in trilogies. End is the final play in both playwright David Eldridge’s…
That spirit of delight which hovered over Christopher Alden’s stylish/surreal Handel bagatelle when I first saw it in the 2017 revival…
Bliss it was to be a fan of Thin Lizzy 50 years ago, in November 1975. Phil Lynott referred to fans as “supporters”, an apt term given…
In the main, it could be assumed that Snarky Puppy’s bandleader, Michael League sleeps soundly in his bed every night. For sure, his band’s…
The ballet world will soon run out of titles signifying a renaissance. After ENB’s recent Re:evolution comes London City Ballet’s Rebirth,…
This week, UK electronica originals Cabaret Voltaire hit Birmingham on their penultimate tour before they finally put their synthesizers…
Strictly speaking, an epistolary novel tells more than one story. You could say, for example, that Dracula is “about” a collection of…
Obsession makes for good drama. Looking back over 30 years of in-yer-face theatre in general and female monologues in particular – anything…
Keaton Henson is a master of dark introspection and unashamed vulnerability, a 21st century manifestation of what used to be called bed-sit…