wed 06/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

LFF 2019: Le Mans '66 review - Matt Damon, Christian Bale and the Ford Motor Company go to war

Read more...

American Woman review - leading lady Sienna Miller moves up a gear

Read more...

Doing Drugs for Fun, Channel 5 review - why the cocaine trade is no laughing matter

Read more...

The Great British Bake Off, Episode 7, Channel 4 review - bakers hampered by pointless celebrities

Read more...

LFF 2019: The King review - head conquers heart in Shakespeare adaptation

Read more...

The Capture, Episode 5, BBC One review - the man who knew too much

Read more...

Snackmasters, Channel 4 review - superchefs take the clone-a-KitKat challenge

Read more...

World on Fire, BBC One review - more melodrama than drama

Read more...

My Life is Murder, Alibi review - whimsical tales of detection from Down Under

Read more...

Saving Lives at Sea, BBC Two review - derring-do on the ocean wave with the RNLI

Read more...

The $50m Art Swindle, BBC Two review - ramblin' gamblin' man comes home to roost

Read more...

The Cameron Years, BBC One review - quite interesting but a bit boring

Read more...

City on a Hill, Sky Atlantic review - power, corruption and larceny in 1990s Boston

Read more...

Defending the Guilty, BBC Two review - trials and tribulations of a trainee barrister

Read more...

Love in the Countryside, BBC Two review - reaping a harvest of marital bliss?

Read more...

Temple, Sky 1 review - down in the tube station at midnight

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...