Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Levit, Budapest Festival Orchestra, Fischer, RFH review - an...
A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván...
Farewell Mister Haffmann, Park Theatre review - French hit o...
When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...
Album: Coheed and Cambria - The Father of Make Believe
The Father of Make Believe is the latest instalment in the cinematic fantasy world that Coheed and Cambria have meticulously crafted over...
theartsdesk Q&A: Raoul Peck, director of the documentary...
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...
Jonathan Buckley: One Boat review - a shore thing
One Boat, Jonathan Buckley’s 13th novel, captures a series of...
Blu-ray: The Barnabáš Kos Case
One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...
A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...
You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...
Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang.
Tamara...
BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester re...
Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to...