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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Black Men Walking, Royal Court review - inspiring and exhilarating

Friday, 23 March 2018 Read more...

The Great Wave, National Theatre review - moving epic of global loss

Tuesday, 20 March 2018 Read more...

Humble Boy, Orange Tree Theatre review - love, death and science in Middle England

Tuesday, 13 March 2018 Read more...

The Best Man, Playhouse Theatre review - Gore Vidal’s plodding presidential drama

Wednesday, 07 March 2018 Read more...

Frozen, Haymarket Theatre review - star cast explores the reality of evil

Wednesday, 21 February 2018 Read more...

Angry, Southwark Playhouse review – wondrously roaring Ridleyland

Saturday, 17 February 2018 Read more...

Girls & Boys, Royal Court review - Carey Mulligan is stunningly brilliant

Friday, 16 February 2018 Read more...

The Divide, Old Vic review - Alan Ayckbourn’s overblown dystopia

Thursday, 08 February 2018 Read more...

Gundog, Royal Court review - tedious and inconsequential

Thursday, 08 February 2018 Read more...

Paines Plough Roundabout, Orange Tree Theatre review - too brief to really rock

Monday, 05 February 2018 Read more...

The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story

Saturday, 27 January 2018 Read more...

The Birthday Party, Harold Pinter Theatre review - starry cast create a stunning masterpiece

Friday, 19 January 2018 Read more...

The Jungle, Young Vic review - physically and emotionally challenging

Saturday, 16 December 2017 Read more...

Parliament Square, Bush Theatre, review – uncomfortable blaze of anger

Wednesday, 06 December 2017 Read more...

Goats, Royal Court review - unfocused and muddled

Saturday, 02 December 2017 Read more...

Bad Roads, Royal Court, review – memorably unsettling

Thursday, 23 November 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Winter's Tale, RSC, Stratford review - problem play...

There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have...

Brixton Calling, Southwark Playhouse review - life-affirming...

What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really...

BBC Proms: Batsashvili, BBC Scottish Symphony Orchestra, Rya...

This Prom began in sombre and melancholic shades of grey. Then...

Inter Alia, National Theatre review - dazzling performance,...

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal...

The Waterfront, Netflix review - fish, drugs and rock'n...

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport,...

Album: Debby Friday - The Starrr of the Queen of Life

Debby Friday is a Nigerian-Canadian singer-producer who found...

The Fantastic Four: First Steps review - innocence regained

Marvel goes back to its origins, gulping the fresh air of Stan Lee and Jack Kirby’s first hit comic The Fantastic Four in 1961. Ignoring...

Music Reissues Weekly: The Pale Fountains - The Complete Vir...

The Pale Fountains played their first live show on 12 February 1980 as the support to on-the-up fellow...

Giselle, National Ballet of Japan review - return of a class...

A new Giselle? Not quite: the production that ...