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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

City of Glass, Lyric Hammersmith review - ‘thrilling and enthralling Paul Auster adaptation’

Thursday, 27 April 2017 Read more...

Nuclear War, Royal Court review - ‘deeply felt and haunting’

Saturday, 22 April 2017 Read more...

Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’

Thursday, 13 April 2017 Read more...

Expensive Shit, Soho Theatre, review - 'strong but slender'

Thursday, 06 April 2017 Read more...

Consent, National Theatre, review - thrilling revenge drama

Wednesday, 05 April 2017 Read more...

Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy'

Thursday, 30 March 2017 Read more...

The Kid Stays in the Picture, Royal Court, review – ‘sad, bad and sprawling’

Friday, 24 March 2017 Read more...

A Dark Night in Dalston, Park Theatre

Tuesday, 14 March 2017 Read more...

My Country; A Work in Progress, National Theatre

Saturday, 11 March 2017 Read more...

Limehouse, Donmar Warehouse

Thursday, 09 March 2017 Read more...

A Profoundly Affectionate, Passionate Devotion to Someone (–noun), Royal Court Theatre

Tuesday, 07 March 2017 Read more...

Ugly Lies the Bone, National Theatre

Friday, 03 March 2017 Read more...

Low Level Panic, Orange Tree Theatre

Wednesday, 22 February 2017 Read more...

See Me Now, Young Vic

Saturday, 18 February 2017 Read more...

A Clockwork Orange, Park Theatre

Friday, 17 February 2017 Read more...

The Pitchfork Disney, Shoreditch Town Hall

Saturday, 04 February 2017 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh Int...

Say what you like about this year’s slimmer-than-usual ...

Edinburgh Fringe 2025 reviews - Jacob Nussey / Phil Green

Jacob Nussey, Pleasance Courtyard ★★...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...