sat 20/04/2024

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

An Adventure, Bush Theatre review - epic but flawed

Read more...

The Woods, Royal Court review - Lesley Sharp triumphs again

Read more...

Holy Shit, Kiln Theatre review - what's in a name?

Read more...

Aristocrats, Donmar Warehouse review - fresh but uneven

Read more...

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

Read more...

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest

Read more...

Alkaline, Park Theatre review - faith, friendship and failure

Read more...

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic

Read more...

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess

Read more...

One for Sorrow, Royal Court review - imploding family drama

Read more...

Monogamy, Park Theatre review - Janie Dee in dark family drama

Read more...

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful

Read more...

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content

Read more...

Nightfall, Bridge Theatre, review - moving but over-exposed

Read more...

Mood Music, Old Vic review - riveting critique of the music biz

Read more...

Nine Night, National Theatre review - Jamaican family drama full of spirit

Read more...

Pages

latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...