aleks.sierz | The Arts Desk

wed 16/07/2025

aleks sierz

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Bio

Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Shoe Lady, Royal Court review - Katherine Parkinson is a footsore Beckettian Tuesday, 10 March 2020 Read more...	The Special Relationship, Soho Theatre review - informative, but uninspiring Wednesday, 04 March 2020 Read more...
Pass Over, Kiln Theatre review - fierce critique of racist brutality Thursday, 20 February 2020 Read more...	The High Table, Bush Theatre review - party on in Lagos and London Saturday, 15 February 2020 Read more...
Far Away, Donmar Warehouse review - one for the devotees Thursday, 13 February 2020 Read more...	Death of England, National Theatre review - furious but fabulous Friday, 07 February 2020 Read more...
The Sugar Syndrome, Orange Tree Theatre review - pushing empathy to the limit Wednesday, 29 January 2020 Read more...	The Welkin, National Theatre review - women's labour is a pain Thursday, 23 January 2020 Read more...
Scenes with Girls, Royal Court review - feminist separatism 2.0 Wednesday, 22 January 2020 Read more...	Les Misérables, Sondheim Theatre review - join in our crusade Friday, 17 January 2020 Read more...
Snowflake, Kiln Theatre review - strong but clumsy generational war Tuesday, 17 December 2019 Read more...	A Kind of People, Royal Court review - multiculturalism falls apart Thursday, 12 December 2019 Read more...
Cyrano de Bergerac, Playhouse Theatre review - James McAvoy triumphant Monday, 09 December 2019 Read more...	Midnight Movie, Royal Court review - sleepless and digital Wednesday, 04 December 2019 Read more...
The Arrival, Bush Theatre review - boys will definitely be boys Wednesday, 27 November 2019 Read more...	Touching the Void, Duke of York's Theatre review - not quite high enough Friday, 15 November 2019 Read more...

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Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...