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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Middle, National Theatre review - a bit of a muddle

Thursday, 05 May 2022 Read more...

The Corn Is Green, National Theatre review – Nicola Walker teaches a life lesson

Monday, 25 April 2022 Read more...

The Human Voice, Harold Pinter Theatre review – acting masterclass

Tuesday, 22 March 2022 Read more...

Cock, Ambassadors Theatre review – brutal, bruising and brilliant

Tuesday, 15 March 2022 Read more...

Ghosts of the Titanic, Park Theatre review – well written, but poorly staged

Monday, 14 March 2022 Read more...

Shedding a Skin, Soho Theatre review - feel the love

Wednesday, 09 March 2022 Read more...

Red Pitch, Bush Theatre review - effortlessly and energetically entertaining

Wednesday, 02 March 2022 Read more...

Queens of Sheba, Soho Theatre review – energy, entertainment and rage

Monday, 14 February 2022 Read more...

Purple Snowflakes and Titty Wanks, Royal Court review – fearless, frank and feminist

Monday, 07 February 2022 Read more...

The Glow, Royal Court review – bizarre, beautiful and breathtaking

Monday, 31 January 2022 Read more...

The 4th Country, Park Theatre review – sympathetic and intriguing

Monday, 17 January 2022 Read more...

Trouble in Mind, National Theatre review - race, rage and relevance

Saturday, 11 December 2021 Read more...

Manor, National Theatre review – ambitious, but unconvincing

Thursday, 25 November 2021 Read more...

Death of England: Face to Face, National Theatre at Home review - anti-racist trilogy ends with a bang

Tuesday, 23 November 2021 Read more...

Rare Earth Mettle, Royal Court review - one long unsatisfying slog

Friday, 19 November 2021 Read more...

Sessions, Soho Theatre review – intense, but inconclusive

Saturday, 13 November 2021 Read more...

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Britten’s Albert Herring is one of the great 20th century comic operas; only Puccini’s Gianni Schicchi and Barry’s The...

Iron Ladies review - working-class heroines of the Miners...

The enduring image of the 1984-1985 Miners' Strike is that of men standing arm in arm against police and of mass protests devolving into mayhem –...

Blu-ray: The Man in the White Suit

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Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...

Soulwax’s 'All Systems Are Lying' lays down some t...

It’s seven years since the Belgian brothers Dewaele unleashed their fine, largely instrumental and foot-stomping Essential album on the...