sat 20/04/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

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Marvellous, @sohoplace review - silly, singular and sentimental

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Ravenscourt, Hampstead Theatre review - strong, but slender

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Jews. In Their Own Words, Royal Court review - calling out ancient prejudice

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The P Word, Bush Theatre review - persecution and pride

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Silence, Donmar Warehouse review - documenting disaster

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The Trials, Donmar Warehouse review - chillingly compelling

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All of Us, National Theatre review - revelatory, but problematic

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Chasing Hares, Young Vic review - militant mix of politics and fantasy

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The Fellowship, Hampstead Theatre review - strong clashes, too little drama

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Bangers, Soho Theatre review - sizzling gig theatre

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That Is Not Who I Am, Royal Court review – gimmicky post-truth spoof

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Lotus Beauty, Hampstead Theatre Downstairs review – uneasy mix of comedy and tragedy

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Middle, National Theatre review - a bit of a muddle

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The Corn Is Green, National Theatre review – Nicola Walker teaches a life lesson

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The Human Voice, Harold Pinter Theatre review – acting masterclass

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...