wed 21/05/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Talking About the Fire, Royal Court review - urgent and informative

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A Sherlock Carol, Marylebone Theatre review - merry, but mirthless

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Feeling Afraid As If Something Terrible Is Going To Happen, Bush Theatre review - charismatic stand-up routine

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Mates in Chelsea, Royal Court review – silly rather than satirical

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To Have and To Hold, Hampstead Theatre review - funny but flawed

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The Interview, Park Theatre review - Martin Bashir's comeuppance

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Boy Parts, Soho Theatre review - not subversive enough

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Blue Mist, Royal Court review - authentic, but not entirely convincing

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Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive

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Octopolis, Hampstead Theatre review - blue, blue, electric blue

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Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

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That Face, Orange Tree Theatre review - in-yer-face family drama

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A Mirror, Almeida Theatre review - unconvincing and contrived

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Cuckoo, Royal Court review - slow, superficial and unfunny

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Beneatha's Place, Young Vic review - strongly felt, but uneven

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When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...