thu 28/03/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtual

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Trouble in Butetown, Donmar Warehouse review - entertaining and warmhearted

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Graceland, Royal Court review - quiet desolation is too literary

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Phaedra, National Theatre review - stunning acting in stunning show

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Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

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Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

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Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

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Sound of the Underground, Royal Court review - loud and triumphantly proud

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Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

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Kerry Jackson, National Theatre review - new writing nadir

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Baghdaddy, Royal Court review - Middle-Eastern magic realism

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The Sex Party, Menier Chocolate Factory review - disappointing detumescence

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Super High Resolution, Soho Theatre review - the NHS at breaking point

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Mary, Hampstead Theatre review - compelling study of power politics

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‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

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Marvellous, @sohoplace review - silly, singular and sentimental

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latest in today

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...