mon 21/05/2018

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Victory Condition, Royal Court review - Ballardian vision of the contemporary

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Labour of Love, Noël Coward Theatre, review - Martin Freeman and Tamsin Greig labour in vain

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B, Royal Court review - intriguing, ironical, but flawed

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Ramona Tells Jim, Bush Theatre, review – kooky, teenage heartbreak

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Oslo, National Theatre review - informative, gripping and moving

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The Blinding Light, Jermyn Street Theatre, review – Jasper Britton is fascinatingly febrile

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Loot, Park Theatre review – dizzyingly enjoyable

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Knives in Hens, Donmar Warehouse review – Yaël Farber not symbolic enough

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Against, Almeida Theatre review - Ben Whishaw is a modern-day Jesus

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The Majority, National Theatre review – a minority interest

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Apologia, Trafalgar Studios review – Stockard Channing shines bright as a 1960s radical

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Bodies, Royal Court review – pregnant with meaning

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Ink, Almeida Theatre review - The Sun rises while show sinks

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Terror, Lyric Hammersmith review – more gimmick than drama

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Hir, Bush Theatre review – transgender home is sub-prime

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Anatomy of a Suicide, Royal Court review - devastatingly brilliant

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latest in today

Ian Rickson: 'I'm an introvert, I want to stop tal...

Ian Rickson’s route into theatre was not conventional. Growing up in south London, he was rarely taken to the theatre as a child, and discovered...

A Very English Scandal, BBC One review - making a drama out...

There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion...

Bridget Christie, Brighton Festival review - politics throug...

Bridget Christie tells us at the top of the show that she is a heterosexual, able-bodied, privileged white female – so why is she feeling so...

The Handmaid's Tale, Series 2, Channel 4 review - it...

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “...

The World Of Moominvalley, Brighton Festival review - a fasc...

It was no matter that journalist Daniel Hahn dropped out ill at the 11th hour of this "audience with" event. Author Philip Ardagh's deep knowledge...

CD: Gretchen Peters - Dancing with the Beast

Gretchen Peters arrived in Nashville in the late eighties from Bronxville, New York, where...

William Trevor: Last Stories review - final intimations

An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20...

Madama Butterfly, Glyndebourne review - perverse staging, ou...

Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they...

On Chesil Beach review - perfect playing in a poignant Ian M...

Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the...