tue 01/04/2025

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

Read more...

Reykjavik, Hampstead Theatre review - drama frozen by waves of detail

Read more...

A Raisin in the Sun, Lyric Hammersmith review - of race and men

Read more...

Brace Brace, Royal Court review - too slender to satisfy

Read more...

Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

Read more...

A Tupperware of Ashes, National Theatre review - family and food, love and loss

Read more...

Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

Read more...

The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

Read more...

The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

Read more...

G, Royal Court review - everyday realism blitzed by urban myth

Read more...

Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of Islamophobia

Read more...

The Marilyn Conspiracy, Park Theatre review - intriguing murder mystery

Read more...

My Father's Fable, Bush Theatre review - hilarious and haunting family drama

Read more...

The Bounds, Royal Court review - soccer play scores badly

Read more...

Lie Low, Royal Court review - short sharp sliver of pain

Read more...

The Harmony Test, Hampstead Theatre review - pregnancy and parenthood

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Balanchine: Three Signature Works, Royal Ballet review - exu...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

Howard Amos: Russia Starts Here review - East meets West, vi...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

DVD/Blu-ray: The Substance

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”

Coralie Fargeat,...

A Working Man - Jason Statham deconstructs villains again

The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...

Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...

This City is Ours, BBC One review - civil war rocks family c...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

Tales of Apollo and Hercules, London Handel Festival review...

Over the last three years of the London Handel Festival, two experimental productions have...

Album: Erlend Apneseth - Song Over Støv

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...

Music Reissues Weekly: Yeah Man, It's Bloody Heavy

The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...