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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Unicorn, Garrick Theatre review - wordy and emotionless desire

Monday, 17 February 2025 Read more...

More Life, Royal Court review - posthuman tragedy fails to come alive

Saturday, 15 February 2025 Read more...

Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power games

Thursday, 13 February 2025 Read more...

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

Tuesday, 04 February 2025 Read more...

A Good House, Royal Court review - provocative, but imperfect

Monday, 20 January 2025 Read more...

The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging

Tuesday, 17 December 2024 Read more...

The Legends of Them, Royal Court review - reaching out for serenity

Friday, 13 December 2024 Read more...

Expendable, Royal Court review - intensely felt family drama

Friday, 29 November 2024 Read more...

A Christmas Carol, Old Vic review - tidings of discomfort and noise

Friday, 22 November 2024 Read more...

Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting

Saturday, 16 November 2024 Read more...

L’Addition, BAC review - top billing for physical comedy duo

Friday, 08 November 2024 Read more...

The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

Friday, 01 November 2024 Read more...

Reykjavik, Hampstead Theatre review - drama frozen by waves of detail

Monday, 28 October 2024 Read more...

A Raisin in the Sun, Lyric Hammersmith review - of race and men

Sunday, 13 October 2024 Read more...

Brace Brace, Royal Court review - too slender to satisfy

Thursday, 10 October 2024 Read more...

Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

Monday, 07 October 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...

BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

...

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Album: Brad Mehldau - Ride into the Sun

Brad Mehldau’s three trio concerts in the UK in June showed what it is he does so brilliantly. The group (with bassist Felix Moseholm and drummer...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...