wed 21/05/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Legends of Them, Royal Court review - reaching out for serenity

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Expendable, Royal Court review - intensely felt family drama

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A Christmas Carol, Old Vic review - tidings of discomfort and noise

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Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting

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L’Addition, BAC review - top billing for physical comedy duo

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The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

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Reykjavik, Hampstead Theatre review - drama frozen by waves of detail

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A Raisin in the Sun, Lyric Hammersmith review - of race and men

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Brace Brace, Royal Court review - too slender to satisfy

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Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

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A Tupperware of Ashes, National Theatre review - family and food, love and loss

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Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

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The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

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The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

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G, Royal Court review - everyday realism blitzed by urban myth

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Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of Islamophobia

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...