tue 15/07/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

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Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

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Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

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Sound of the Underground, Royal Court review - loud and triumphantly proud

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Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

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Kerry Jackson, National Theatre review - new writing nadir

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Baghdaddy, Royal Court review - Middle-Eastern magic realism

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The Sex Party, Menier Chocolate Factory review - disappointing detumescence

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Super High Resolution, Soho Theatre review - the NHS at breaking point

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Mary, Hampstead Theatre review - compelling study of power politics

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‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

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Marvellous, @sohoplace review - silly, singular and sentimental

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Ravenscourt, Hampstead Theatre review - strong, but slender

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Jews. In Their Own Words, Royal Court review - calling out ancient prejudice

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The P Word, Bush Theatre review - persecution and pride

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Silence, Donmar Warehouse review - documenting disaster

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'We are bowled over!' Thank you for your messages... ...
Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...