mon 15/08/2022

Brian Elias

Articles By Brian Elias

latest in today

La Voix humaine/Les Mamelles de Tirésias, Glyndebourne revie...

“Variety is the spice of life! Vive la difference!,” chirrups the ensemble at the end of this giddying double bill. And there could hardly be more...

Germany / The 1920s / New Objectivity / August Sander, Centr...

The businessman in Heinrich Maria Davringhausen’s Der Schieber (The Profiteer), 1920-1921 sits several floors above the city streets,...

Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / C...

Ania Magliano, Pleasance Courtyard ...

Chineke! Chamber Ensemble / Martineau & Osborne / SCO, M...

What happens when great musicians play weak music? I couldn’t help but think about that while I listened to the musicians of Chineke! Chamber...

Album: Loudon Wainwright III - Lifetime Achievement

Celebrating, if that is the right word, his 75th year, Loudon Wainwright III offers us his 26th studio album in 52...

Music Reissues Weekly: The Telstar Story, The Heinz Sessions...

“Telstar” was released 60 years ago this week. On 17 August 1962...

Counting and Cracking, Edinburgh International Festival 2022...

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even...

Prom 35, Wang, Oslo Philharmonic, Mäkelä review - crystallin...

Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / S...
Sara Barron, Pleasance Courtyard ★...