wed 10/08/2022

Claudia Pritchard

Articles By Claudia Pritchard

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Prom 31, Alder, Ulster Orchestra, Rustioni review – a summer...

The Ulster Orchestra’s Prom finished early to accommodate a late-night concert by the esteemed Tredegar Band – but by then, we’d already enjoyed...

All of Us, National Theatre review - revelatory, but problem...

Has the pandemic made us more angry? Although Francesca Martinez’s debut play, which is at the...

Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Sus...
Colin Hoult: The Death of Anna Mann, Pleasance Courtyard ★...
Gustav Metzger: Earth Minus Environment, Kestle Barton revie...

In later life Gustav Metzger appeared a marginal, eccentric figure. The diminutive, white-bearded artist, was often to be seen round London’s...

Album: Danger Mouse & Black Thought - Cheat Codes

The last time Danger Mouse (Brian Burton to his mum) dropped a hip...

Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama...

The Last Return, Traverse Theatre ...

theartsdesk at the Bayreuth Festival Ring 2022 - a jumbled m...

It is mid-way through the new Ring cycle, and we are taking lunch outside the old town hall on the high street in Bayreuth. Discussion at...

Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murd...

Kathy and Stella Solve a Murder!, Summerhall ...

Prom 27, Dinnerstein, National Youth Orchestra, Gourlay revi...

Danny Elfman – the punk rocker-turned-film composer behind Batman, Spider-Man, Edward Scissorhands and The Simpsons...

Burn, Edinburgh International Festival 2022 review - bold, r...

In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reappraisal of one of...