mon 16/09/2024

David Benedict

Articles By David Benedict

Proms at...Cadogan Hall 7, Giunta, Sikich, review - dazzlement in Bernstein and beyond

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Prom 34, Matthews, BBC Philharmonic, Mena - Anglo-American mixed bag

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Proms at...Cadogan Hall 4, Connolly, Middleton review - perfect partnering in the unfamiliar

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Box office poison? Joan Crawford at BFI Southbank

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Tenebrae, Short, St John’s Smith Square review - choral majesty in New World marvels

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My Name is Lucy Barton, Bridge Theatre review - Laura Linney is luminous in a flawless production

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Consent, Harold Pinter Theatre review - exhilarating

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The Inheritance, Young Vic review - a long day’s journey into light

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A Midsummer Night's Dream, ENO review - shiveringly beautiful Britten

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'Why we understand each other': Peter Gill on The York Realist

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Lady Windermere's Fan, Vaudeville Theatre review - Wilde abandoned

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Pinocchio, National Theatre review - boy puppet lifts off, eventually

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Against the Law, BBC Two review - uplifting and deeply moving

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10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless'

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The Wind in the Willows, London Palladium review - an effortful slog

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On the Town review - triple threat Danny Mac and co are unmissable

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Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...