sat 21/12/2024

David Nice

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The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Albums of the Year 2024: Samara Joy - Portrait

From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been...

Nutcracker, English National Ballet, Coliseum review - Tchai...

No new production of a beloved old ballet can please everyone, and there is none more beloved, or more frequently produced, than ...

You Me Bum Bum Train, secret location review - a joyful mult...

This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride...

The Tempest, Theatre Royal, Drury Lane review - Sigourney We...

Shakespeare must have relished the opportunities brought by the indoor...

Albums of the Year 2024: Mercury Rev - Born Horses

Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through...

Strike: The Ink Black Heart, BBC One review - protracted, co...

The man whose name sounds like a major aviation accident, private...

Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño M...

My Spotify Wrapped this year is somewhat at odds with my Album of 2024. My ‘Van Life Folie Americana’ phase of Spring (presumably due to the...