thu 26/04/2018

Filiz Ali

Articles By Filiz Ali

latest in today

4.48 Psychosis, Royal Opera, Lyric Hammersmith review - desp...

Depression, with or without psychotic episodes, is a rare subject for drama or music theatre - and with good reason: the sheer unrelenting...

10 Questions for Sharon Smith of Arts Collective Gob Squad

Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in...

Absolute Hell, National Theatre review - high gloss show sav...

Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was...

CD: Van Morrison and Joey DeFrancesco - You're Driving...

Van Morrison has always been drawn as much to jazz as anything else...

Strictly Ballroom: The Musical, Piccadilly Theatre review -...

A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: The Musical is any gauge...

The Split, BBC One, review - Abi Morgan’s densely packed div...

A few years ago Abi Morgan was everywhere. For the cinema she scripted Shame, The Iron Lady, The Invisible Woman and...

Matthias Goerne, Seong-Jin Cho, Wigmore Hall review - slow a...

Matthias Goerne has an exceptional ability to sustain evenness and legato through a vocal line. His breath control and his tone production are...

Kathleen Turner: Finding My Voice, The Other Palace review -...

A one-time Martha and Maggie the Cat in the theatre, and a...