sat 08/08/2020

Fisun Güner

Fisun Güner's picture
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

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Heart's Delight, Opera Holland Park review - a classy h...

Nostalgia of all kinds played a part in this summer evening’s divertissement. Some audience members were probably remembering when operetta held a...

Perfect 10 review - a small movie with a big heart

We first see Leigh (Frankie Box), the cheeky heroine of Scottish...

Alex Halberstadt: Young Heroes of the Soviet Union review -...

Since the collapse of the Soviet Union, there has been a collective examination of its past, with Nobel Prize-winner Svetlana Alexievich at...

Everything: The Real Thing Story, BBC Four review - brillian...

This documentary is bittersweet viewing on quite a number of levels. First, it’s got all the glory and tragedy of the most compelling music...

Album: Moscoman - Time Slips Away

After 2016’s A Shot in the Light, DJ, producer and Disco Halal labelrunner Chen Moscovici has leaned full-tilt into...

theartsdesk Q&A: Record label New Heavy Sounds

New Heavy Sounds is one of Britain’s most exciting and undersung labels. Founded in 2011, they have consistently released music that boasts...

The New Normal, Royal Victoria Patriotic Building review - s...

We live in strange times, so it's appropriate that a socially distanced pop-up arts...

A masked elegy: portraits of string players at the Fidelio O...

Out of a silent and empty City of London, unusually still even for a Sunday afternoon, it felt surreal to come upon a centre of light and activity...

The Streets, EartH review - empathy in isolation

Mike Skinner got out just in time, pulling the plug on The Streets at the point of exhaustion. After Original Pirate Material’s hopeful...