Fisun Güner
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner
Articles By Fisun Güner
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...
Lollipop review - a family torn apart
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...
Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...
Album: The Young Gods - Appear Disappear
Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...
Jane Austen Wrecked My Life review - persuading us that the...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...
The King of Pangea, King's Head Theatre review - grief...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...
Album: Sam Binga - Sam Binga Presents Club Orthodontics
When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...
Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...
Hespèrion XXI, Savall, QEH review - an evening filled with l...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...