Fisun Güner
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner
Articles By Fisun Güner
latest in today
Train Your Baby Like A Dog, Channel 4 review - an animal beh...
Animal behaviourist Jo-Rosie Haffenden, who lives in Spain, has some very good dogs (and a charming toddler, who knows how to sit). Can she...
Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the f...
Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall...
The Day Mountbatten Died, BBC Two review - the IRA's au...
It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative...
Making new waves: Royce Vavrek on forging a libretto from La...
It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the...
DVD/Blu-ray: The Chant of Jimmie Blacksmith
Fred Schepisi’s The Chant of Jimmie Blacksmith (1978) was the...
Prom 41: Ghindin, LPO, Jurowski review - perfect sound in a...
It was a Disney theme-park of Russian music, and in an entirely good way: none of the usual rides, but plenty of heroes and villains, sad spirits...
Edinburgh International Festival 2019: MacMillan birthday co...
To celebrate the 60th birthday of Sir James MacMillan, the...
CD: New Model Army - From Here
Justin Sullivan, the last remaining original member of Bradford post-...
Niall Griffiths: Broken Ghost review - Welsh visions of hope...
The trend-hopping taste-makers who run British literary publishing have lately decided that “working-class” writing merits a small dole of their...
Edinburgh International Festival 2019: Eugene Onegin, Komisc...
Returning to Edinburgh International Festival, Berlin's Komische Oper brought Barrie Kosky’s sumptuous production of Eugene Onegin to the...