tue 08/04/2025

Fisun Güner

Fisun Güner's picture
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner

Articles By Fisun Güner

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Primal Scream, O2 Academy, Birmingham review - from anthems...

Bobby Gillespie and Andrew Innes may have been steering the good ship Primal Scream for some 40 years but, on the evidence of this week’s visit to...

theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, He...

VINYL OF THE MONTH

Rattle Encircle (Upset! The Rhythm)

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Peter Grimes, Welsh National Opera review - febrile energy a...

Emotions run high at WNO these days. When the company’s co-...

An Evening with Joan Armatrading, Cadogan Hall review - tho...

I can’t hear Joan Armatrading without being instantly transported back to Liverpool, and my student digs just around the corner from Penny Lane. I...

Frang, LPO, Jurowski, RFH review - every beauty revealed

When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...

Kenny Garrett, Ronnie Scott's review - a mixed bag

The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of...

Album: Sofia Härdig - Lighthouse of Glass

The titular “lighthouse of glass” is a place where the narrator is “crying into the sun,” in which there is a need to “stand by my solitude.”...

Music Reissues Weekly: Ibex Band - Stereo Instrumental Music

Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...

Blu-ray: Yojimbo / Sanjuro

Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught...