Fisun Güner
Bio
Fisun is an art critic and writer and is the visual arts editor of theartsdesk. Her art writing has appeared in a range of publications, including The Spectator's Culture House blog, The Independent, Metro, The Evening Standard, New Statesman and Standpoint. You can follow her on Twitter @FisunGuner
Articles By Fisun Güner
latest in today
Classical music/Opera direct to home 19 – and two before a l...
It’s begun: very limited access to live music, the...
Les Blancs, National Theatre at Home review – triumphant rev...
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to be produced on Broadway, where it opened...
Back Roads review - nice cheekbones, not much else
Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this...
Family Romance, LLC review - the chameleon blues
Werner Herzog’s appearance in The Mandalorian paid for this deadpan,...
Toast, Lawrence Batley Theatre online review - pungent adapt...
I knew what a Howard Hodgkin painting would look like before I ever saw one because of...
Album: Polly Scattergood - In This Moment
A decade ago, Polly Scattergood was Mute Records’ newest, most-likely-to signing and, while she never crossed over like similar unconventional...
Theatre Lockdown Special 12: An American rarity, a British s...
Can this weekly lineup really now be three months old? As we move towards at least some degree of relaxation on the social restrictions that...
The Opera Story: Episodes review - whimsical takes on lockdo...
The Opera Story is an enterprising set-up based in London and founded with a mission to commission and stage...
Lynn + Lucy review - a bruising tale of female friendship
British director Fyzal Boulifa makes his feature...
Birdsong, The Original Theatre Company online review – a gut...
Birdsong, Sebastian Faulks’ best-selling...