Glyn Môn Hughes
Articles By Glyn Môn Hughes
latest in today
Stewart Copeland's Adventures in Music, BBC Four review...
Drums away: Stewart Copeland, drummer with The Police and a score of other groups, composer for films, video games and operas, now beams...
Uncle Vanya, Harold Pinter Theatre review - a superlative co...
Uncle Vanya must surely be the closest, the most essential of...
The Personal History of David Copperfield review – top-drawe...
Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant...
The Sunset Limited, Boulevard Theatre review - all talk, no...
Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet...
The Welkin, National Theatre review - women's labour is...
History plays should perform a delicate balancing act: they have to...
The Grudge review - non-stop shocks wear out their welcome
The 18-year-old Japanese horror hit Ju-On (The Grudge)...
Album: Black Lips - Sing In A World That’s Falling Apart
Since first getting together at the fag end of the 20th century, Black Lips have largely played the role of garage...
Scenes with Girls, Royal Court review - feminist separatism...
Last night, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It's when you see a show that keeps making you...
Miloš Karadaglić, Birmingham Town Hall review - flashy and f...
Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin...