sat 26/09/2020

Hanna Weibye

Hanna Weibye's picture
Bio
Hanna trained as a historian at the University of Cambridge and wrote a PhD thesis on Friedrich Ludwig Jahn, the inventor of "German gymnastics". As well as regularly reviewing dance in London, she has produced, choreographed for and danced in ballet and contemporary shows in Cambridge.

Articles By Hanna Weibye

Matthew Bourne's Romeo and Juliet, Sadler's Wells review - heart-stopping drama

Read more...

The Bright Stream, Bolshoi Ballet review - a gem of a comedy

Read more...

Spartacus, Bolshoi Ballet, Royal Opera House review - no other company could pull this off

Read more...

The Firebird triple bill, Royal Ballet review - generous programme with Russian flavour

Read more...

Shostakovich Trilogy, San Francisco Ballet, Sadler's Wells review - less than the sum of its parts

Read more...

Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

Read more...

Swan Lake, Royal Ballet review - beautiful, heartfelt

Read more...

Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

Read more...

Voices of America, English National Ballet review - a punchy programme of contemporary ballet

Read more...

Bernstein triple bill, Royal Ballet review - epic ambitions unfulfilled

Read more...

Giselle, Royal Ballet review - beautiful dancing in a production of classic good taste

Read more...

Song of the Earth/La Sylphide, English National Ballet review - sincerity and charm in a rewarding double bill

Read more...

Sylvia, Royal Ballet review - Ashton rarity makes a delicious evening

Read more...

Kenneth MacMillan, Royal Opera House review - a sprite proves merciless

Read more...

A Celebration of Sir Kenneth MacMillan, Northern Ballet review - a brave and worthy tribute

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - a feast of visual delights

Read more...

Pages

latest in today

The Arts Desk in Hamburg: Ghost Light - A ballet in the Time...

So the Royal Ballet is to make a live comeback, for one night only, on October 9. Fielding the entire company of 100 dancers, suitably distanced,...

First Person: pianist Danny Driver on teaching online and th...

There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial...

An Evening with an Immigrant, Bridge Theatre review – poetic...

When the history of British theatre’s response to COVID-19...

Miss Juneteenth review - a ray of Texan sunshine

Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth...

Hold Still, National Portrait Gallery review - snapshots fro...

A digital exhibition for digital times – and just right: as a reproductive medium,...

Castalian Quartet/Elizabeth Llewellyn, Simon Lepper, Wigmore...

Songs of the beyond versus the profundity of the here and now struck very different depths in the Castalians’ evening concert at the...

Album: Róisín Murphy - Róisín Machine

This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-going...

Monsoon review - like something almost being said

Building very promisingly on the achievement of his ...

Album: Corey Taylor - CMFT

The graveyard of tedious musical vanity projects – and the bargain bins of many record shops – is filled with solo albums by the lead vocalists of...