Jonathan Geddes
Articles By Jonathan Geddes
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Il Trittico, Opéra de Paris review - reordered Puccini works...
So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...
When the Light Breaks review - only lovers left alive
Grief takes unexpected turns over the course of a long Icelandic...
Marwood, Crabb, Wigmore Hall review - tangos, laments and an...
James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...
Blu-ray: Strange New Worlds: Science Fiction at DEFA
DEFA was East Germany’s state film studio, operating...
Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...
"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...
Dara Ó Briain, Soho Theatre Walthamstow review - master stor...
Dara Ó Briain’s has described his previous show So… Where Were We? – in which he describes his search for his birth...
Album: Anna Lapwood - Firedove
This album Firedove (Sony Classical), surely, has to be seen as part of a bigger story: that of organist, choir director and...
Batiashvili, LSO, Pappano, Barbican review - French and Poli...
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...
Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...
Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...