Laura Silverman
Bio
Laura writes about theatre, pop and books for The Times and the Daily Mail.
She also contributes to Radio 4.
Articles By Laura Silverman
latest in today
Theodora, Arcangelo, Cohen, Barbican review - gloriously dar...
Handel’s Theodora – voluptuously beautiful, warm-to-the-touch music, yoked to a libretto of chilly piety about Christian martyrdom in 4...
Riotsville USA review - a training scheme with a tragic lega...
Sierra Pettengill has made the politest angry film I have seen. It has an incendiary quality that comes precisely from its calm stance towards its...
Album: The Zombies - Different Game
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly...
Tom Dale Company, The Place review - immersive and genre-bus...
With all the talk – and, frankly, fear – around AI and the increasing dominance of the digital world, it’s fascinating to see what dance has to...
Mansfield Park, RNCM, Manchester review - bringing out the b...
Mansfield Park was written to be a country house opera – that...
Album: A Certain Ratio - 1982
1982 is only A Certain Ratio’s third album this century but it’s one that’s brimming with funky vibes that are more than enough to get...
Succession, Season Four, Sky Atlantic review - powerful begi...
How much more is there left to be said about the excellence of Succession? It’s back for a final season, and devotees will pore over...
Inspiral Carpets, Concorde 2, Brighton review - a raucous ca...
As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past....
Seraphina Madsen: Aurora review - the tarot won’t save us
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking,...