fri 11/10/2024

Miriam Gillinson

Articles By Miriam Gillinson

latest in today

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - to...

Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...

London Film Festival 2024 - the Vatican, the Blitz, a trip t...

Conclave

Director Edward Berger won an...

First Person: Lindsey Ferrentino on the play that has led Ad...

I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on...

Timestalker review – she's lost control again

Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion...

Kanga, Manchester Collective, Singh, RNCM Manchester review...

Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...

theartsdesk Q&A: Alice Lowe on 'Timestalker' a...

Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length...

The Lehman Trilogy, Gillian Lynne Theatre review - three bro...

Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in...

Filumena, Theatre Royal Windsor review - Mozartian marriage...

Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an...

Album: Immanuel Wilkins - Blues Blood

Immanuel Wilkins’s third Blue Note Album – Blues Blood – has a big concept behind it. According...

Brace Brace, Royal Court review - too slender to satisfy

Air travel is bad for us. Yes, yes, I know we need planes to take us long distances, but look at the downside: not only the carbon footprint, but...