fri 14/08/2020

Nick Hasted

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Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Uncut, Jazzwise and Classic Rock. He has published three books: The Dark Story of Eminem (2002), You Really Got Me: The Story of The Kinks (2011), and Jack White: How He Built An Empire From The Blues (2016).

Articles By Nick Hasted

latest in today

Babyteeth review - teenage love and terminal illness in the...

Babyteeth gets off to a terrific start. A semi-naked, manic Moses (Toby Wallace, full of scabby charisma) almost pushes 15-year-old Milla...

Mandy, BBC2 review - Diane Morgan's new creation

Mandy started life in the Comedy Shorts season last year, and has now been given a six-part series. Diane Morgan, who has a...

Project Power - so-so attempt to reinvent the superhero genr...

What if there was a pill you could pop that gave you superpowers? The only catch is that, while it might make you invisible or...

Cara Dillon Live at Cooper Hall, YouTube review - a warm Iri...

Cara Dillon and Sam Lakeman were bringing it all back home when they performed their first live stream concert from Cooper Hall, in Frome,...

Spree review - a wild ride through social media madness

Allergic to that word “influencer”? Afraid that social...

Album: Burna Boy - Twice as Tall

There’ve been plenty of global breakout successes from Nigeria...

Theatre Unlocked 4: Shows in concert and a contemporary clas...

After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The...

Pinocchio review - wooden heart

This seems a perfect project for Matteo Garrone, a director who has found new ways to conjure old Italian dreams, and invests even his most grimly...

AIM Awards 2020, SBTV review - a game attempt to rewire awar...

Music awards shows are a strange beast: part window display, part industry conference and part party. Especially if you don’t have Brit Awards or...

Charles Owen, Fidelio Orchestra Café review - high-profile,...

Composer Gian-Carlo Menotti once asked rhetorically what society wanted of performing artists – “the bread of life or the after-dinner mint?”...