sun 27/04/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

Music Reissues Weekly: The Hamburg Repertoire

The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...

Ben and Imo, Orange Tree Theatre review - vibrant, strongly...

Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...

Stelios review - Athenian rhapsody in blues

The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...

Album: Dr Robert & Matt Deighton - The Instant Garden

There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all righteously hate Thatcher;...

The Accountant 2 review - belated return of Ben Affleck...

It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...

The Inseparables, Finborough Theatre review - uneven portrai...

The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...