mon 21/01/2019

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Van Woerkum, BBCPO, Gernon, Bridgewater Hall, Manchester rev...

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Daniel Sloss, Leicester Square Theatre review - toxic mascul...

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CD: Kikok - Sauna

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Black Lake, Series 2 Finale, BBC Four review - Swedish chill...

A bunch of young-ish people stuck in a rambling house in the middle of nowhere, a hatchet-faced senior citizen guarding a hoard of...

Reissue CDs Weekly: Charles Mingus

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CD: The Twilight Sad - It Won/t Be Like This All The Time

The disappearance of a band for a while calls for a re-set. A reminder, perhaps, of why you fell for them in the first...

Bang on a Can All-Stars, Kings Place review - a kaleidoscope...

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why...

theartsdesk Q&A: Hedvig Mollestad, Norway's bridge...

Norway’s Hedvig Mollestad Trio reset the dial to what...