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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Friday, 11 July 2025 Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Saturday, 05 July 2025 Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Friday, 04 July 2025 Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Monday, 23 June 2025 Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Wednesday, 18 June 2025 Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Tuesday, 17 June 2025 Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Saturday, 14 June 2025 Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Thursday, 12 June 2025 Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Saturday, 07 June 2025 Read more...

Bogancloch review - every frame a work of art

Saturday, 31 May 2025 Read more...

The Last Musician of Auschwitz review - a haunting testament

Tuesday, 13 May 2025 Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Friday, 02 May 2025 Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Friday, 04 April 2025 Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Monday, 03 March 2025 Read more...

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

Wednesday, 26 February 2025 Read more...

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Saturday, 22 February 2025 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...