thu 09/04/2020

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

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Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

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Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

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Push review – lifting the lid on the housing crisis

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Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

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Steve McQueen, Tate Modern review – films that stick in the mind

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Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

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Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

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Imran Perretta, Chisenhale Gallery review - a deeply affecting film

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Eco-Visionaries, Royal Academy review - wakey, wakey!

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Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

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Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

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Great Women Artists review - the book we have been waiting for

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

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Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

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Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

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latest in today

The Beast review - bad cop blues

“They say we all have a beast locked up inside of us,” a character observes early in this...

Gators, Tramp Productions online review – the glittering dar...

She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural...

ZZ Top: That Little Ol' Band From Texas, Netflix review...

ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that...

Album: Nels Andrews - Pigeon and The Crow

This is the perfect album for these dark and dislocating times, a delicious slice of folk...

Remembering John Prine, one of the great American singer-son...

John Prine, who has died at the age of 73 from a Covid 19-...

Wonderland, Hampstead Theatre online review - a major play a...

The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily...

Joe Boyd's Recording Heaven

When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made...

The Rake's Progress, Complicité online review - well-pr...

One way to look at Stravinsky's celebrated collaboration...

Mark Townsend: No Return review - a masterclass in journalis...

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to...

Return to Belsen, ITV review - Jonathan Dimbleby retraces hi...

When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April...