thu 15/11/2018

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Macbeth, Shakespeare's Globe review - sexually-charged...

Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director ...

Laurent Cantet: 'Young people have different preoccupat...

Like Ken Loach and the Dardennes brothers, Laurent Cantet is a...

The Ballads of Child Migration, St James's Church, Cler...

What adjectives best describe a performance of The Ballads of Child Migration? None of those you’d normally expect to see applied to an...

CD: Mumford & Sons - Delta

Wow, can it really be 10 years since Mumford & Sons blazed their trail across the musical world with Sigh No More? The release of...

Pinters Three and Four, Harold Pinter Theatre review - doubl...

The West End is specialising in two-parters of late. To...

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supe...

Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space...

The Simon & Garfunkel Story, Vaudeville Theatre review -...

What to make of The Simon & Garfunkel Story, which began a week-long residency at London’s...