thu 29/09/2022

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Hallyu! The Korean Wave, V&A review - frenetic but fun

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Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

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Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

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Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

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The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

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Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

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We (Nous) review - a low-key look at life in the suburbs of Paris

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Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

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Whitstable Biennale review - a breath of fresh air

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The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

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Cornelia Parker, Tate Britain review – divine intelligence

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Walter Sickert, Tate Britain review - all the world's a stage

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Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

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River review – gorgeous visuals and a timely message: so what’s not to like?

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The Metamorphosis of Birds review - picture perfect

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Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

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latest in today

Savala Nolan: Don't Let It Get You Down review - findin...

Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin...

'Serving the community means representing the narrative...

Just as I was moving from the US to the UK to begin working as the Artistic Director of the...

Album: Slipknot - The End, So Far

Make no mistake about it, Slipknot are massive. 23 years after their recording debut, they’ve had 8.5 billion streams, their sixth album,...

Yiyun Li: The Book of Goose - fame, reality and two teenage...

The Book of Goose, Yiyun Li’s fifth novel, is the...

This England, Sky Atlantic review - how Boris's No 10 g...

From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd...

Kim Noble, Soho Theatre review - final part of trilogy about...

A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two...

In Front of Your Face review - a day in the life

Twenty-four hours in the life of a Korean woman, Sangok (Lee Hyeyoung), are caught in scenes which feel like real time in Hong Sangsoo’s latest....

Album: Yeah Yeah Yeahs - Cool It Down

It’s a minor tragedy that Yeah Yeah Yeahs arrived just in time to be bundled in with a spurious “new rock revolution,” because they were so much...

Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purc...

“What about the communication with the audience?” asked violinist and impresario Bjarte Eike in his First Person piece for theartsdesk...