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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Friday, 11 July 2025 Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Saturday, 05 July 2025 Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Friday, 04 July 2025 Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Monday, 23 June 2025 Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Wednesday, 18 June 2025 Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Tuesday, 17 June 2025 Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Saturday, 14 June 2025 Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Thursday, 12 June 2025 Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Saturday, 07 June 2025 Read more...

Bogancloch review - every frame a work of art

Saturday, 31 May 2025 Read more...

The Last Musician of Auschwitz review - a haunting testament

Tuesday, 13 May 2025 Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Friday, 02 May 2025 Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Friday, 04 April 2025 Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Monday, 03 March 2025 Read more...

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

Wednesday, 26 February 2025 Read more...

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Saturday, 22 February 2025 Read more...

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Elizabeth Alker: Everything We Do is Music review - Prokofie...

Composers and musicians explore acoustic...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...