fri 05/03/2021

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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One Man and His Shoes review - beautifully crafted, fast-paced documentary

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Sin, National Gallery review - great subject, modest show

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Bruce Nauman, Tate Modern review - the human condition writ large in neon

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Hendrix and the Spook review - a search for clarity in murky waters

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Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

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Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

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Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

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Push review – lifting the lid on the housing crisis

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Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

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Steve McQueen, Tate Modern review – films that stick in the mind

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Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

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Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

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latest in today

Coming 2 America review - Eddie Murphy returns as African Pr...

Eddie Murphy – one of the biggest stars of the 1980s – has taken his time in making a sequel to the enormously successful Coming to America...

Die tote Stadt, Komische Oper Berlin, OperaVision review – w...

A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve....

Berlinale 2021: Bad Luck Banging or Loony Porn review – chee...

The Romanian director Radu Jude invariably serves spicy...

The Terror, BBC Two review - nightmare in the Arctic wastes

Admittedly, Antarctic explorer Captain Scott was at the other end of the earth from the protagonists of The Terror (...

Album: Kings of Leon - When You See Yourself

Over the course of seven albums and nearly two decades, Kings of Leon...

Moxie review - likeable if confused high school comedy

A teen comedy with a thematic difference, Moxie has enough memorable moments to firmly establish comedian Amy Poehler as a director worth...

Your Honor, Sky Atlantic review - Bryan Cranston suffers fea...

Nice to find Bryan Cranston taking the lead in a TV series again (this is his first since Breaking Bad ended in 2013), and the role of...

Pioneering Women, Oxford Ceramics Gallery online review - do...

Pioneering is an attractive adjective in this context, alerting the spectator to what has been, over the past half century, an extraordinary body...

Album: Arab Strap - As Days Get Dark

Shortly after Arab Strap split up in 2006, Malcolm Middleton was quoted saying “I don’t think we should ever get back together”. That’s...

Frances Larson: Undreamed Shores review - journeys without m...

Beatrice Blackwood had lived in a clifftop village between surf and jungle on Bougainville Island, part of the Solomon archipelago in the South...