fri 22/03/2019

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

Read more...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

Read more...

Dorothea Tanning, Tate Modern review – an absolute revelation

Read more...

Ray & Liz review - beautifully shot portrait of poverty

Read more...

Franz West, Tate Modern review - absurdly exhilarating

Read more...

Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

Read more...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

Read more...

Don McCullin, Tate Britain review - beastliness made beautiful

Read more...

América review - a joyous portrait of young men caring for their aged grandmother

Read more...

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

Read more...

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

Read more...

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

Read more...

Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

Read more...

Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

Read more...

Kusama - Infinity review - amazing tale of survival against the odds

Read more...

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

Read more...

Pages

latest in today

Pose, BBC Two review - transgender goes mainstream

NYC, 1987. AIDS is ravaging the city, Reagan’s in power,...

Emilia, Vaudeville Theatre review - shouting for change

Emilia Bassano Lanier is not a household name. But maybe she should be. Born in 1569, she was one of the first women in England to publish a book...

Minding the Gap review – profound musings on life

Where would you go for a devastating study on the human condition? The home ...

DVD/Blu-Ray: La Vérité

For admirers of Henri-Georges Clouzot or Brigitte Bardot, this Criterion restoration of their rarely seen 1960 collaboration is a must have. ...

Downstate, National Theatre review - controversial but also...

"Some monsters are real," notes a retribution-minded wife (Matilda Ziegler) early in Downstate, Bruce Norris's beautiful and wounding...

Q&A special: The making of Local Hero

Local Hero, released in 1983, has been adapted into a ...

Mike Nelson, The Asset Strippers, Tate Britain review – exhi...

Mike Nelson has turned the Duveen Galleries into a museum commemorating Britain’s industrial past (pictured below right). Scruffy...

The Bay, ITV, review - Broadchurch goes north

In the 1970s, the Mancunian stand-up Colin Crompton had a famous routine about Morecambe. He characterised Morecambe as “a sort of cemetery with...