Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Flying Dutchman, Opera Holland Park review - into the st...
Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...
The Frogs, Southwark Playhouse review - great songs save upd...
As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...
Album: Sally Shapiro - Ready to Live a Lie
Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...
Il Trittico, Opéra de Paris review - reordered Puccini works...
So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...
When the Light Breaks review - only lovers left alive
Grief takes unexpected turns over the course of a long Icelandic...
Marwood, Crabb, Wigmore Hall review - tangos, laments and an...
James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...
Blu-ray: Strange New Worlds - Science Fiction at DEFA
DEFA was East Germany’s state film studio, operating...
Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...
"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...