mon 27/01/2020

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Eco-Visionaries, Royal Academy review - wakey, wakey!

Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Read more...

Great Women Artists review - the book we have been waiting for

Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Read more...

Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

Read more...

Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

Read more...

Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

Read more...

Kiss My Genders, Hayward Gallery review – a shambles

Read more...

Eating Animals review - a compelling tale of imminent disaster

Read more...

Natalia Goncharova, Tate Modern review - a prodigious talent

Read more...

Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

Read more...

Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

Read more...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

Read more...

Pages

latest in today

Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican re...

"Citizen. European. Pianist," declares Russian-born, Berlin-...

Street Scene, Opera North review - a true ensemble achieveme...

Kurt Weill’s “Broadway opera” – his own preferred description – is an extraordinary and brilliant piece of...

Album: Sam Lee, Old Wow - a hymn to Mother Nature

Folk music has always thrived in times of adversity and...

Slipknot, Arena Birmingham review – Iowa metal-heads tear th...

Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put...

Albert Costa: The Bilingual Brain review – double-talking he...

Those of us who have to toil and sweat with other languages often feel a twinge of envy when we meet truly bilingual folk. That ability to switch...

Clemens Meyer: Dark Satellites review - eccentric orbits

In Clemens Meyer’s new collection of short stories Dark...

Reissue CDs Weekly: Game Theory - Across The Barrier Of Soun...

Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017...

Bombay Bicycle Club, Cardiff University Students Union revie...

When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night...

Gerde's Folk City at 60, The Iridium, New York City - a...

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of...