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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Lee Miller, Tate Britain review - an extraordinary career that remains an enigma

Saturday, 04 October 2025 Read more...

Kerry James Marshall: The Histories, Royal Academy review - a triumphant celebration of blackness

Tuesday, 30 September 2025 Read more...

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Friday, 11 July 2025 Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Saturday, 05 July 2025 Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Friday, 04 July 2025 Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Monday, 23 June 2025 Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Wednesday, 18 June 2025 Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Tuesday, 17 June 2025 Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Saturday, 14 June 2025 Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Thursday, 12 June 2025 Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Saturday, 07 June 2025 Read more...

Bogancloch review - every frame a work of art

Saturday, 31 May 2025 Read more...

The Last Musician of Auschwitz review - a haunting testament

Tuesday, 13 May 2025 Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Friday, 02 May 2025 Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Friday, 04 April 2025 Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Monday, 03 March 2025 Read more...

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Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...