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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Monday, 28 June 2021 Read more...

Bank Job review - an inspirational look at finance

Wednesday, 09 June 2021 Read more...

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Friday, 28 May 2021 Read more...

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Saturday, 22 May 2021 Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Thursday, 20 May 2021 Read more...

The Human Voice review - an intense half-hour that pulls no punches

Wednesday, 19 May 2021 Read more...

Stray review - a delightful portrait of a dog named Zeytin

Saturday, 27 March 2021 Read more...

Sing Me a Song review - beautiful but devastatingly sad

Friday, 08 January 2021 Read more...

Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

Wednesday, 16 December 2020 Read more...

Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

Tuesday, 15 December 2020 Read more...

Zanele Muholi, Tate Modern review - photography as protest

Wednesday, 02 December 2020 Read more...

One Man and His Shoes review - beautifully crafted, fast-paced documentary

Saturday, 24 October 2020 Read more...

Sin, National Gallery review - great subject, modest show

Friday, 09 October 2020 Read more...

Bruce Nauman, Tate Modern review - the human condition writ large in neon

Tuesday, 06 October 2020 Read more...

Hendrix and the Spook review - a search for clarity in murky waters

Saturday, 19 September 2020 Read more...

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Album: Paul Weller - Find El Dorado

Paul Weller occupies a strange place in the cultural sphere. Especially since he was adopted as an elder statesman of Britpop in the mid 1990s, he...

BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - s...

It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many...

theartsdesk Q&A: writer and actor Mark Gatiss on 'B...

Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock...

Ballard, Prime Video review - there's something rotten...

Following the success of its screen version of Michael Connelly’s veteran detective Harry Bosch, starring Titus Welliver,...

Don't Rock the Boat, The Mill at Sonning review - all a...

Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema....

Blu-ray: The Rebel / The Punch and Judy Man

Comedian Tony Hancock’s vertiginous rise and fall is neatly traced in the two films he completed in the early 1960s. The warning signs were...

Bookish, U&Alibi review - sleuthing and skulduggery in a...

As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

Album: Spafford Campbell - Tomorrow Held

Guitarist Louis Campbell and fiddle player Owen Spafford started playing together as teenagers in the National Youth Folk Ensemble when Sam...

The Estate, National Theatre review - hugely entertaining, b...

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to...