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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

Saturday, 23 February 2019 Read more...

Don McCullin, Tate Britain review - beastliness made beautiful

Monday, 11 February 2019 Read more...

América review - a joyous portrait of young men caring for their aged grandmother

Friday, 08 February 2019 Read more...

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

Friday, 25 January 2019 Read more...

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

Tuesday, 04 December 2018 Read more...

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

Saturday, 27 October 2018 Read more...

Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

Saturday, 13 October 2018 Read more...

Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

Saturday, 06 October 2018 Read more...

Kusama - Infinity review - amazing tale of survival against the odds

Thursday, 04 October 2018 Read more...

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

Thursday, 04 October 2018 Read more...

Space Shifters, Hayward Gallery review - seeing is not always believing

Friday, 28 September 2018 Read more...

Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

Tuesday, 25 September 2018 Read more...

Renzo Piano, Royal Academy review - worth the effort

Friday, 14 September 2018 Read more...

Under the Wire review - risking everything to tell the world the truth

Wednesday, 05 September 2018 Read more...

The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

Friday, 18 May 2018 Read more...

Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

Friday, 11 May 2018 Read more...

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There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...