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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Rachel Whiteread, Tate Britain review – exceptional beauty

Wednesday, 13 September 2017 Read more...

Final Portrait review - utterly convincing portrayal of an artist at work

Monday, 14 August 2017 Read more...

Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

Saturday, 22 July 2017 Read more...

Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

Wednesday, 19 July 2017 Read more...

Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

Monday, 26 June 2017 Read more...

The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

Tuesday, 20 June 2017 Read more...

Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

Friday, 16 June 2017 Read more...

A Handful of Dust, Whitechapel Gallery review - grime does pay

Wednesday, 14 June 2017 Read more...

Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

Friday, 09 June 2017 Read more...

Geta Bratescu, Camden Arts Centre

Thursday, 13 April 2017 Read more...

Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'

Friday, 07 April 2017 Read more...

How To Be a Surrealist with Philippa Perry, review - 'exhilarating'

Tuesday, 04 April 2017 Read more...

DVD: Revolution - New Art for a New World

Monday, 03 April 2017 Read more...

Paula Rego: Secrets and Stories review - 'in pictures you can let all your rage out'

Sunday, 26 March 2017 Read more...

Gillian Wearing and Claude Cahun, National Portrait Gallery

Friday, 10 March 2017 Read more...

Revolution: Russian Art 1917-1932, Royal Academy

Monday, 13 February 2017 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...