thu 24/07/2025

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Read more...

Push review – lifting the lid on the housing crisis

Read more...

Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

Read more...

Steve McQueen, Tate Modern review – films that stick in the mind

Read more...

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

Read more...

Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

Read more...

Imran Perretta, Chisenhale Gallery review - a deeply affecting film

Read more...

Eco-Visionaries, Royal Academy review - wakey, wakey!

Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Read more...

Great Women Artists review - the book we have been waiting for

Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Alice Cooper - The Revenge of Alice Cooper

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would...

Burlesque, Savoy Theatre review - exhaustingly vapid

"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly...

Tosca, Clonter Opera review - beauty and integrity in miniat...

At first sight, it seemed that Clonter Opera’s decision to tackle Tosca this year might be a leap too far. Its once-a-year complete...

Album: Paul Weller - Find El Dorado

Paul Weller occupies a strange place in the cultural sphere. Especially since he was adopted as an elder statesman of Britpop in the mid 1990s, he...

BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - s...

It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many...

theartsdesk Q&A: writer and actor Mark Gatiss on 'B...

Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock...

Ballard, Prime Video review - there's something rotten...

Following the success of its screen version of Michael Connelly’s veteran detective Harry Bosch, starring Titus Welliver,...

Don't Rock the Boat, The Mill at Sonning review - all a...

Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema....

Blu-ray: The Rebel / The Punch and Judy Man

Comedian Tony Hancock’s vertiginous rise and fall is neatly traced in the two films he completed in the early 1960s. The warning signs were...