tue 16/07/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

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Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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latest in today

More Than One Story review - nine helpings of provocative po...

A stark end-title at the end of this collection of short films sums up the dire situation the UK is in: one in five people,14 million...

Album: Orange Goblin - Science Not Fiction

Orange Goblin have been flying the flag for exuberant biker...

Music Reissues Weekly: Atlanta - Hotbed of 70s Soul

Michael Thevis made his money from pornography. In the Seventies, his Atlanta warehouses were stuffed with most of America’s porn. Nationally,...

Visit from an Unknown Woman, Hampstead Theatre review - slim...

Who was Stefan Zweig? It's likely that it's mostly older folk who studied German literature at A-level who have encountered this superb...

Longlegs review - like its titular killer, this summer'...

Apparently when actress Maika Monroe first saw Nicolas Cage in his full Longlegs get-up, her heart-rate skyrocketed to...

Album: Chris Cohen - Paint a Room

Paint a Room is idiosyncratic, but it is an absolute joy. Accessible too. Permeated with a summery vibe, its 10 songs glisten like the...

theartsdesk at the Buxton International Festival - power and...

Buxton International Festival offers one thundering success, one uneasy compromise and one surprisingly enjoyable experience, in its three...

Sleep review - things that go bump in the night

The question Korean director Jason Yu is asking...

Album: Catherine Russell and Sean Mason - My Ideal

Voice and piano.The combination can have a simplicity, a conversational freedom, a rightness...