mon 28/11/2022

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Ray & Liz review - beautifully shot portrait of poverty

Read more...

Franz West, Tate Modern review - absurdly exhilarating

Read more...

Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

Read more...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

Read more...

Don McCullin, Tate Britain review - beastliness made beautiful

Read more...

América review - a joyous portrait of young men caring for their aged grandmother

Read more...

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

Read more...

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

Read more...

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

Read more...

Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

Read more...

Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

Read more...

Kusama - Infinity review - amazing tale of survival against the odds

Read more...

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

Read more...

Space Shifters, Hayward Gallery review - seeing is not always believing

Read more...

Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

Read more...

Renzo Piano, Royal Academy review - worth the effort

Read more...

Pages

latest in today

A Child of Our Time, LPO, Gardner, RFH review - the spirit s...

Half a century ago, Michael Tippett’s A Child of our Time felt inescapable. For a youth-choir singer in the London of that period, his...

Baghdaddy, Royal Court review – Middle-Eastern magic realism

What is the best way of talking about the Middle East? Should plays take a documentary or verbatim approach, all the better to educate and inform...

Album: Stormzy - This Is What I Mean

“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what...

Glass Onion: A Knives Out Mystery review – grand, class-cons...

Rian Johnson’s Knives Out sequel is an even more brightly entertaining puzzle picture, revelling in the old-fashioned glamour of enviably...

Matilda the Musical review - a dizzying, smartly subversive...

I bow to no one in my affection for Matilda the Musical onstage, which I've loved across multiple iterations, from Stratford-upon-Avon to...

Mary Gauthier, Union Chapel review - a living room concert i...

Mary Gauthier’s first tour in more than three years landed at London’s Union Chapel on Saturday, concluding with another sold-out gig. The venue...

Music Reissues Weekly: Love - Expressions Tell Everything

Any reminder of the greatness of Love is welcome, and Expressions Tell Everything does this in fine style. A box set, it...

It’s a Wonderful Life, English National Opera review - Capra...

Looking for a sparkly operatic musical, well sung and played, slick and saturated in a range of mainstream styles that stop short in the year the...

Bones and All review - eat, don't heat

You expect gross-out movies to send your hands flying in front of your eyes. But Luca Guadagnino's ludicrous Bones and All is...

Basel Saleh, Sansara, United Strings of Europe, St Martin-in...

This collaboration between two young and exciting ensembles, the...