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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Berg review - a glorious visual meditation on the mountains of Slovenia

Friday, 28 April 2023 Read more...

Little Richard: I am Everything review - a riveting account of 'the brightest star in the universe'

Thursday, 27 April 2023 Read more...

Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

Wednesday, 26 April 2023 Read more...

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Tuesday, 11 April 2023 Read more...

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Tuesday, 04 April 2023 Read more...

Antidote review - two films in one that lose sight of their message

Monday, 27 March 2023 Read more...

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

Saturday, 25 March 2023 Read more...

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Thursday, 16 March 2023 Read more...

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Tuesday, 28 February 2023 Read more...

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Thursday, 16 February 2023 Read more...

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Tuesday, 14 February 2023 Read more...

Town of Strangers review - a whimsical foray into the meaning of home

Wednesday, 08 February 2023 Read more...

Best of 2022: Visual Arts

Wednesday, 28 December 2022 Read more...

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Friday, 18 November 2022 Read more...

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

Saturday, 12 November 2022 Read more...

William Kentridge, Royal Academy review - from art to theatre, and back again

Monday, 24 October 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always welcome, though its soap-tinged mix of transatlantic politics and volatile personal...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...