fri 08/12/2023

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

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The Human Voice review - an intense half-hour that pulls no punches

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Stray review - a delightful portrait of a dog named Zeytin

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Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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One Man and His Shoes review - beautifully crafted, fast-paced documentary

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Sin, National Gallery review - great subject, modest show

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Bruce Nauman, Tate Modern review - the human condition writ large in neon

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Hendrix and the Spook review - a search for clarity in murky waters

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Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

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Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

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Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

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Push review – lifting the lid on the housing crisis

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Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

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Pages

latest in today

Monica review - sombre American drama

There’s a rich seam of folk stories about changelings, infants snatched from home and replaced with a substitute child, to the horror and...

Album: Cher - Christmas

I honestly never thought I'd add a Cher song to my painstakingly curated ...

Natalie Dessay, Philippe Cassard, Milton Court review - flas...

It could have been a winner: a charismatic star soprano of great emotional and interpretative intelligence, a top pianist given a little space to...

Album: Gregory Porter - Christmas Wish

The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it...

Paul Lewis, Wigmore Hall review - Schubert sonatas revisited...

A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and...

The Homecoming, Young Vic Theatre review - Pinter's dis...

As the audience enters, thick mist envelopes the thrust stage and jazz music fills the...

Blu-ray: Blackhat

The Boxing Day release of Michael Mann’s first feature in eight years, Ferrari, finally follows up Blackhat, a Chris Hemsworth-...

Kin, BBC One review - in Dublin's not-so-fair city

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’...

Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre...

There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m like that, but with...