Sarah Kent

Bio

Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro Tuesday, 04 April 2023 Read more...	Antidote review - two films in one that lose sight of their message Monday, 27 March 2023 Read more...
After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force Saturday, 25 March 2023 Read more...	The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity Thursday, 16 March 2023 Read more...
Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail Tuesday, 28 February 2023 Read more...	Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished Thursday, 16 February 2023 Read more...
Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration Tuesday, 14 February 2023 Read more...	Town of Strangers review - a whimsical foray into the meaning of home Wednesday, 08 February 2023 Read more...
Best of 2022: Visual Arts Wednesday, 28 December 2022 Read more...	Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences Friday, 18 November 2022 Read more...
Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists Saturday, 12 November 2022 Read more...	William Kentridge, Royal Academy review - from art to theatre, and back again Monday, 24 October 2022 Read more...
Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut Wednesday, 05 October 2022 Read more...	Remote review - an irredeemably silly first feature Saturday, 01 October 2022 Read more...
Hallyu! The Korean Wave, V&A review - frenetic but fun Tuesday, 27 September 2022 Read more...	Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite Monday, 26 September 2022 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Live Aid at 40: When Rock'n'Roll Took on the World...

“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night

Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning

Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...

Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Classical CDs: Bells, birdsong and braggadocio

...

Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Sarah Kent

Articles By Sarah Kent

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Antidote review - two films in one that lose sight of their message

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Town of Strangers review - a whimsical foray into the meaning of home

Best of 2022: Visual Arts

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

William Kentridge, Royal Academy review - from art to theatre, and back again

Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

Remote review - an irredeemably silly first feature

Hallyu! The Korean Wave, V&A review - frenetic but fun

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Pages

latest in today

Doormat Navigation